Films
| Film | Director | Writer(s) | Producer(s) |
|---|---|---|---|
| A Nightmare on Elm Street (1984) | Wes Craven | Robert Shaye | |
| A Nightmare on Elm Street 2: Freddy's Revenge (1985) | Jack Sholder | David Chaskin | |
| A Nightmare on Elm Street 3: Dream Warriors (1987) | Chuck Russell | Wes Craven, Frank Darabont, Chuck Russell, Bruce Wagner | |
| A Nightmare on Elm Street 4: The Dream Master (1988) | Renny Harlin | Brian Helgeland, Jim Wheat, Ken Wheat | Robert Shaye & Rachel Talalay |
| A Nightmare on Elm Street 5: The Dream Child (1989) | Stephen Hopkins | Leslie Bohem | Robert Shaye & Rupert Harvey |
| Freddy's Dead: The Final Nightmare (1991) | Rachel Talalay | Michael De Luca | Robert Shaye & Aron Warner |
| Wes Craven's New Nightmare (1994) | Wes Craven | Marianne Maddalena | |
| Freddy vs. Jason (2003) | Ronny Yu | Damian Shannon & Mark Swift | Sean S. Cunningham |
| A Nightmare on Elm Street (2010) | Samuel Bayer | Wesley Strick & Eric Heisserer | Michael Bay, Andrew Form & Brad Fuller |
Read more about this topic: A Nightmare On Elm Street (franchise)
Famous quotes containing the word films:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
—Jean-Luc Godard (b. 1930)
“Does art reflect life? In movies, yes. Because more than any other art form, films have been a mirror held up to society’s porous face.”
—Marjorie Rosen (b. 1942)