A Night in San Francisco is a live album by Northern Irish singer-songwriter Van Morrison, released in 1994. Guest artists were John Lee Hooker, Junior Wells and Jimmy Witherspoon as well as Morrison's daughter, Shana Morrison. James Hunter and Brian Kennedy helped out with the vocals and Georgie Fame was also present.
The June 2008 reissued and remastered version of the album contains a live take of the Morrison song "Cleaning Windows". "I'll Take Care of You/It's a Man's Man's Man's World" from this album was listed as one of the standout tracks from the six album reissue.
Read more about A Night In San Francisco: Recording, Composition, Reception, Personnel, Charts
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“San Francisco is where gay fantasies come true, and the problem the city presents is whether, after all, we wanted these particular dreams to be fulfilled—or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which, vivid and continuous, they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed?”
—Edmund White (b. 1940)
“This is the Night Mail crossing the Border,
Bringing the cheque and the postal order,
Letters for the rich, letters for the poor,
The shop at the corner, the girl next door.”
—W.H. (Wystan Hugh)
“Mining today is an affair of mathematics, of finance, of the latest in engineering skill. Cautious men behind polished desks in San Francisco figure out in advance the amount of metal to a cubic yard, the number of yards washed a day, the cost of each operation. They have no need of grubstakes.”
—Merle Colby, U.S. public relief program (1935-1943)
“Swan/Mary Rutledge: Oh no, no. I’m not running away. I came here to get something, and I’m going to get it.
Col. Cobb: Yes, but San Francisco is no place for a woman.
Swan: Why not? I’m not afraid. I like the fog. I like this new world. I like the noise of something happening.... I’m tired of dreaming, Colonel Cobb. I’m staying. I’m staying and holding out my hands for gold—bright, yellow gold.”
—Ben Hecht (1893–1964)