Critical Responses
The play's prominence in theatrical history has won it the attention of scholars and critics. Some of the criticism has been favorable; one editor judged it "a highly finished, integrated piece of work, with everything handsomely symmetrical about it." Yet critics have not been shy about finding faults; one called Sir Giles Overreach "the character whom his author could not control." Massinger's blending of lighter dramatic materials, like comedy of intrigue, with the play's more serious aspects, has also been faulted.
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