Music Analysis
The score for A Little Night Music has elements not often found in musical theater, presenting challenges for performers, with complex meters, pitch changes, polyphony, and high notes for both males and females. The difficulty is heightened when songs merge, as in "Now"/"Later"/"Soon", because all three have to be performed in the same key, limiting the ability to pick a comfortable key for each singer. Critic Rex Reed noted that "The score of 'Night Music' ...contains patter songs, contrapuntal duets and trios, a quartet, and even a dramatic double quintet to puzzle through. All this has been gorgeously orchestrated by Jonathan Tunick; there is no rhythm section, only strings and woodwinds to carry the melodies and harmonies aloft."
Sondheim's engagement with threes extends to his lyrics. He organizes trios with the singers separated, while his duets are sung together, about a third person.
Another of the show's signature elements is that many songs end on a single brief note played by one or more instruments.
The work is performed as an operetta in many professional opera companies. For example, it was added to the New York City Opera Company repertoire in 1990.
Read more about this topic: A Little Night Music
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