A Feast For Crows - Characters

Characters

The story is narrated from the point of view of 12 characters and, as with previous volumes, a one-off prologue point of view of a relatively minor character.

  • Prologue: Pate, a novice of the Citadel in Oldtown
  • Cersei Lannister, The Queen Regent
  • Ser Jaime Lannister, Lord Commander of the Kingsguard
  • Brienne, Maid of Tarth, a young warrior woman searching for Sansa and Arya Stark
  • Sansa Stark, pretending to be Petyr Baelish's bastard daughter "Alayne Stone" (by which name her later chapters are known)
  • Arya Stark, later referred to as "Cat of the Canals", beginning her training by the House of Black and White (The Faceless Men)
  • Samwell Tarly, a sworn brother of the Night's Watch
  • In the Iron Islands:
    • The Prophet, The Drowned Man: Prince Aeron "Damphair" Greyjoy, One of King Balon's three brothers
    • The Kraken's Daughter: Princess Asha Greyjoy, daughter of King Balon of the Iron Islands
    • The Iron Captain, The Reaver: Prince Victarion Greyjoy, One of King Balon's three brothers
  • In Dorne:
    • The Captain of Guards: Areo Hotah, Captain of the Guards to Prince Doran Martell of Dorne
    • The Soiled Knight: Ser Arys Oakheart of the Kingsguard
    • The Queenmaker, The Princess in the Tower: Arianne Martell, daughter of Prince Doran

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Famous quotes containing the word characters:

    “Of the other characters in the book there is, likewise, little to say. The most endearing one is obviously the old Captain Maksim Maksimich, stolid, gruff, naively poetical, matter-of- fact, simple-hearted, and completely neurotic.”
    —Vladimir Nabokov (1899–1977)

    “Thus we may define the real as that whose characters are independent of what anybody may think them to be.”
    —Charles Sanders Peirce (1839–1914)

    “A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
    —Clifford Irving (b. 1930)