Criticism
A Doll's House criticises the traditional roles of men and women in 19th-century marriage. To many 19th-century Europeans, this was scandalous. Nothing was considered more holy than the covenant of marriage, and to portray it in such a way was completely unacceptable; however, a few more open-minded critics such as the Irish playwright George Bernard Shaw found Ibsen's willingness to examine society without prejudice exhilarating. In Germany, the production's lead actress refused to play the part of Nora unless Ibsen changed the ending, which, under pressure, he eventually did. In the alternative ending, Nora gives her husband another chance after he reminds her of her responsibility to their children. This ending proved unpopular and Ibsen later regretted his decision on the matter. Virtually all productions today, however, use the original ending, as do nearly all of the film versions of this play, including Dariush Mehrjui's Sara (the Argentine version, made in 1943 and starring Delia Garcés, does not; it also modernizes the story, setting it in the early 1940s).
Because of the radical departure from traditional behavior and theatrical convention involved in Nora's leaving home, her act of slamming the door as she leaves has come to represent the play itself. One critic noted, "That slammed door reverberated across the roof of the world."
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Famous quotes containing the word criticism:
“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
—Walter Benjamin (1892–1940)
“The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
—Susan Sontag (b. 1933)