A Dance To The Music of Time

A Dance to the Music of Time is a twelve-volume cycle of novels by Anthony Powell, inspired by the painting of the same name by Nicolas Poussin. One of the longest works of fiction in literature, it was published between 1951 and 1975 to critical acclaim. The story is an often comic examination of movements and manners, power and passivity in English political, cultural and military life in the mid 20th century.

The sequence is narrated by Nick Jenkins in the form of his reminiscences. At the beginning of the first volume, Nick falls into a reverie while watching snow descending on a coal brazier. This reminds him of "the ancient world – legionaries (...) mountain altars (...) centaurs (....)". These classical projections introduce the account of his schooldays which opens A Question of Upbringing.

Over the course of the following volumes, he recalls the people he met over the previous half a century. Little is told of Jenkins's personal life beyond his encounters with the great and the bad. Events, such as his wife's miscarriage, are only related in conversation with the principal characters.

Time magazine included the novel in its TIME 100 Best English-language Novels from 1923 to 2005. The editors of Modern Library ranked the work as 43rd greatest English-language novel of the twentieth century.

Read more about A Dance To The Music Of Time:  Inspiration, Analysis, The Novels, Principal Characters, Adaptations

Famous quotes containing the words dance, music and/or time:

    I can get dressed earlier in the evening with every intention of going to a dance at midnight, but somehow after the theatre the thing to do seems to be either to go to bed or sit around somewhere. It doesn’t seem possible that somewhere people can be expecting you at an hour like that.
    Robert Benchley (1889–1945)

    As if, as if, as if the disparate halves
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    Wallace Stevens (1879–1955)

    Every epoch which seeks renewal first projects its ideal into a human form. In order to comprehend its own essence tangibly, the spirit of the time chooses a human being as its prototype and raising this single individual, often one upon whom it has chanced to come, far beyond his measure, the spirit enthuses itself for its own enthusiasm.
    Stefan Zweig (18811942)