Reviews and Influence
At the time of 94 Diskont's release, The Wire placed the album at No. 5 on its 1995 of top albums of the year.
Allmusic awarded the album five stars and stated, "94 Diskont is undoubtedly a standout in the field of electronically advanced, glitch-heavy music."
In a 2003 feature, the webzine Pitchfork Media placed 94 Diskont at No. 47 on its top-100 albums of the 1990s list. Mark Richardson of Pitchfork declared,
| “ | Sounds appear as multi-layer holograms, with both sources and ghosted copies simultaneously vying for attention, a piece of sonic trickery used to create some of the most serene and aquatic music of the ’90s. | ” |
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“Reviews and magazines are at best ephemeral & superficial reading. Who thinks of the grand article of last year in any given review?”
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“If the contemplation, even of inanimate beauty, is so delightful; if it ravishes the senses, even when the fair form is foreign to us: What must be the effects of moral beauty? And what influence must it have, when it embellishes our own mind, and is the result of our own reflection and industry?”
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