Production
Based on two short films he had made, Mark Christopher persuaded Miramax Films to back a full-length feature about Studio 54. He had spent five years researching the club and the time period, as well as working on a screenplay. Miramax purchased a partial screenplay in 1995 and developed the script with the filmmaker for over a year. Christopher shot the film in Toronto over two months in the fall of 1997. During the production, a Miramax executive was often found on the set and studio head Harvey Weinstein flew up from New York to give his approval.
Expectations were high with the hopes that the film would become a big summer hit. Christopher finished his cut of the film and the studio scheduled the film's release for July of the following year. After initial positive reaction within the company, early test screenings in the Long Island suburbs for the two-hour cut of the film were disappointing to the studio. Audiences found the characters unlikable and reacted negatively to the kiss between Shane and Greg. They also did not respond well to the happy ending for both of them and Anita. Christopher said via his publicist, “Our goal was to keep the audience sympathetic to the characters, any material that was removed from the film was removed because it was too challenging for some members of the audience." Miramax requested cuts be made and Christopher initially refused.
The studio forced Christopher to reshoot parts of his movie with only two months until its theatrical release, destroying the love triangle subplot between the three characters. Much of the cast was called back for two weeks of additional filming in New York without being told what they would be shooting. Meyer, for example, found out that his substantial part in the film had been cut down to a stereotypical best-friend role and a new scene was shot that portrayed his character as a thief. The kiss between Greg and Shane was replaced with a conversation. Ultimately, 45 minutes of the original film were deleted and replaced with 25 minutes of new scenes and voice-over.
Christopher initially complained to friends and colleagues about what the studio was doing to his movie but under pressure at the film's release, he took a more politically advantageous stance. "We were both trying to make the best movie possible, and I think we've done that," he said at the time.
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