Style
The band themselves describe their music as "dark yet uplifting, spiritual without any connection to religion". Their music is punctuated by dark, sometimes incomprehensible lyrics, often rather detached from the accompanying music. Joey Eppard is considered a highly competent guitarist with a unique, primarily self-taught flamenco/slap hybrid guitar technique.
Over the course of 3's discography, the band has covered a wide variety of music genres. This spectrum of style includes the following songs as examples of each genre: hip hop (Don't Even), R&B (You Call Me Baby), rockabilly (Paint by Number), blues (Bedroom in Hell), reggae (Brother), funk (Get 2Gether), psychedelic (Signs of Life), metal (These Iron Bones), pop rock (Live Entertainment), acoustic rock (Careless Kim), punk (Sawed Off Shotgun), progressive (Monster), flamenco (Bramfatura), experimental progressive (Dregs), rock 'n roll (One Way Town), soft rock (Lay Down the Law), pop (Soul Reality), folk (The Game), experimental (Broadway Alien), progressive funk (Leaving on the Light), and progressive metal (Only Child). The genre-defying diversity of their music is what gives them the self-proclaimed title of a hybrid band, though the band is currently in a state consisting primarily of progressive metal on their newest album The Ghost You Gave To Me. However, though the album does focus heavily on progressive metal, there remain many influences from other genres within the music, including some country vibes in the musicality of "The Barrier".
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Famous quotes containing the word style:
“A man is free to go up as high as he can reach up to; but I, with all my style and pep, can’t get a man my equal because a girl is always judged by her mother.”
—Anzia Yezierska (c. 1881–1970)
“The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.”
—Raymond Chandler (1888–1959)
“There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.”
—Gustave Flaubert (1821–1880)