Style
The band themselves describe their music as "dark yet uplifting, spiritual without any connection to religion". Their music is punctuated by dark, sometimes incomprehensible lyrics, often rather detached from the accompanying music. Joey Eppard is considered a highly competent guitarist with a unique, primarily self-taught flamenco/slap hybrid guitar technique.
Over the course of 3's discography, the band has covered a wide variety of music genres. This spectrum of style includes the following songs as examples of each genre: hip hop (Don't Even), R&B (You Call Me Baby), rockabilly (Paint by Number), blues (Bedroom in Hell), reggae (Brother), funk (Get 2Gether), psychedelic (Signs of Life), metal (These Iron Bones), pop rock (Live Entertainment), acoustic rock (Careless Kim), punk (Sawed Off Shotgun), progressive (Monster), flamenco (Bramfatura), experimental progressive (Dregs), rock 'n roll (One Way Town), soft rock (Lay Down the Law), pop (Soul Reality), folk (The Game), experimental (Broadway Alien), progressive funk (Leaving on the Light), and progressive metal (Only Child). The genre-defying diversity of their music is what gives them the self-proclaimed title of a hybrid band, though the band is currently in a state consisting primarily of progressive metal on their newest album The Ghost You Gave To Me. However, though the album does focus heavily on progressive metal, there remain many influences from other genres within the music, including some country vibes in the musicality of "The Barrier".
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Famous quotes containing the word style:
“Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.”
—Ernest Hemingway (1899–1961)
“To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?”
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“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)