Style
The band themselves describe their music as "dark yet uplifting, spiritual without any connection to religion". Their music is punctuated by dark, sometimes incomprehensible lyrics, often rather detached from the accompanying music. Joey Eppard is considered a highly competent guitarist with a unique, primarily self-taught flamenco/slap hybrid guitar technique.
Over the course of 3's discography, the band has covered a wide variety of music genres. This spectrum of style includes the following songs as examples of each genre: hip hop (Don't Even), R&B (You Call Me Baby), rockabilly (Paint by Number), blues (Bedroom in Hell), reggae (Brother), funk (Get 2Gether), psychedelic (Signs of Life), metal (These Iron Bones), pop rock (Live Entertainment), acoustic rock (Careless Kim), punk (Sawed Off Shotgun), progressive (Monster), flamenco (Bramfatura), experimental progressive (Dregs), rock 'n roll (One Way Town), soft rock (Lay Down the Law), pop (Soul Reality), folk (The Game), experimental (Broadway Alien), progressive funk (Leaving on the Light), and progressive metal (Only Child). The genre-defying diversity of their music is what gives them the self-proclaimed title of a hybrid band, though the band is currently in a state consisting primarily of progressive metal on their newest album The Ghost You Gave To Me. However, though the album does focus heavily on progressive metal, there remain many influences from other genres within the music, including some country vibes in the musicality of "The Barrier".
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Famous quotes containing the word style:
“I would observe to you that what is called style in writing or speaking is formed very early in life while the imagination is warm, and impressions are permanent.”
—Thomas Jefferson (1743–1826)
“The style of an author should be the image of his mind, but the choice and command of language is the fruit of exercise.”
—Edward Gibbon (1737–1794)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)