National
- Crystal Simorgh Prize for Best Film: The Third Day produced by Alireza Jalali
- Crystal Simorgh Prize for Best Director: Mohammad-Hossein Latifi for The Third Day and Amir-Shahab Razavian for Mina of the Silent City
- Crystal Simorgh Prize for Best Screenplay: Mainline jointly written by Rakhshan Bani-Etemad, Farid Mostafavi, Mohsen Abdolvahhab, and Naghmeh Samini
- Crystal Simorgh Prize for Best Actor: Bahram Radan (Santouri)
- Crystal Simorgh Prize for Best Actress: Baran Kowsari (Mainline and The Third Day)
- Crystal Simorgh Prize for Best Supporting Actor: Afshin Hashemi (Barefoot in Heaven)
- Crystal Simorgh Prize for Best Supporting Actress: Pante’a Bahram (Eternal Kids)
- Crystal Simorgh Prize for Best Editor: Sepideh Abdolvahhab (Mainline)
- Crystal Simorgh Prize for Best Cinematographer: Hamid Khozuei Abyaneh (Barefoot in Heaven)
- Crystal Simorgh Prize for Best Composer: Kambiz Roshanravan (Eternal Kids)
- Crystal Simorgh Prize for Best Makeup Artist: Mehrdad Mirkiani (Mainline)
- Crystal Simorgh Prize for Best Sound Effects: Mohammadreza Delpak (Rule of the Game)
- Crystal Simorgh Prize for Best Sound Recorder: Hassan Zahedi and Dariush Sadeqpur (Barefoot in Heaven)
- Crystal Simorgh Prize for Best Costume and Stage Designer: Mohsen Ruzbehani (The Third Day)
- Crystal Simorgh Prize for Best Special Effects: Mohsen Ruzbehani and Alaeddin Pajhan (Rule of the Game)
- Crystal Simorgh Prize for Best First Film Director: Bahram Tavakkoli (Barefoot in Heaven)
- Crystal Simorgh Prize for Best Documentary: Memoirs of a 75-Year-Old directed by Mohammadreza Aslani
- Crystal Simorgh Prize for Best Documentary Filmmaker: Masud Bakhshi ('Tehran Has No Pomegranates)
- Crystal Simorgh Prize for Best Short Film: Weight of Being directed by Hamid Bahrami
Read more about this topic: 25th Fajr International Film Festival
Famous quotes containing the word national:
“If the national security is involved, anything goes. There are no rules. There are people so lacking in roots about what is proper and what is improper that they don’t know there’s anything wrong in breaking into the headquarters of the opposition party.”
—Helen Gahagan Douglas (1900–1980)
“The return of the asymmetrical Saturday was one of those small events that were interior, local, almost civic and which, in tranquil lives and closed societies, create a sort of national bond and become the favorite theme of conversation, of jokes and of stories exaggerated with pleasure: it would have been a ready- made seed for a legendary cycle, had any of us leanings toward the epic.”
—Marcel Proust (1871–1922)
“As one digs deeper into the national character of the Americans, one sees that they have sought the value of everything in this world only in the answer to this single question: how much money will it bring in?”
—Alexis de Tocqueville (1805–1859)