Form and Structure
Each piece is in two parts—a prelude and a fugue--varying in pace, length and complexity (for example, Fugue No. 13 in F-sharp major is in five voices, but Fugue No. 9 in E major is in only two voices).
The pieces proceed in relative major/minor pairs around the circle of fifths: first C major and A minor (prelude and fugue nos. 1 and 2), then to one sharp (G major, E minor), two sharps (D major, B minor), and so on, ending with D minor (1 flat). (Frédéric Chopin's set of 24 Preludes, Op. 28, is organised in the same way, as are the earlier sets of preludes by Joseph Christoph Kessler, Johann Nepomuk Hummel, and Shostakovich's earlier 24 Preludes, Op. 34.)
Read more about this topic: 24 Preludes And Fugues (Shostakovich)
Famous quotes containing the words form and/or structure:
“There is a sort of veteran women of condition, who, having lived always in the grand mode, and having possibly had some gallantries, together with the experience of five and twenty or thirty years, form a young fellow better than all the rules that can be given him.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (16941773)
“One theme links together these new proposals for family policythe idea that the family is exceedingly durable. Changes in structure and function and individual roles are not to be confused with the collapse of the family. Families remain more important in the lives of children than other institutions. Family ties are stronger and more vital than many of us imagine in the perennial atmosphere of crisis surrounding the subject.”
—Joseph Featherstone (20th century)