24 Preludes and Fugues (Shostakovich) - Form and Structure

Form and Structure

Each piece is in two parts—a prelude and a fugue--varying in pace, length and complexity (for example, Fugue No. 13 in F-sharp major is in five voices, but Fugue No. 9 in E major is in only two voices).

The pieces proceed in relative major/minor pairs around the circle of fifths: first C major and A minor (prelude and fugue nos. 1 and 2), then to one sharp (G major, E minor), two sharps (D major, B minor), and so on, ending with D minor (1 flat). (Frédéric Chopin's set of 24 Preludes, Op. 28, is organised in the same way, as are the earlier sets of preludes by Joseph Christoph Kessler, Johann Nepomuk Hummel, and Shostakovich's earlier 24 Preludes, Op. 34.)

Read more about this topic:  24 Preludes And Fugues (Shostakovich)

Famous quotes containing the words form and/or structure:

    Poetry asks people to have values, form opinions, care about some other part of experience besides making money and being successful on the job.
    Toi Derricotte (b. 1941)

    Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.
    Paul Tillich (1886–1965)