Additional Musicians
- Steve Cradock – 12 String Guitar (1), Vocals (3,4,9,12), Guitar (3,4,7,8,12,14,20,21), Drums (4,8,12,14,20), Celeste (4,21), Piano (7,21), Percussion (8,12,20), Electric Guitar (11), Acoustic Guitar (11,18), Mellotron (19), Mandolin (20), Bazooki (20)
- Hannah Andrews – Vocals (1,9,12,15,18,20,21), Horns (20), Hornpipes (20)
- John McCusker – Violin (1,17)
- Andy Lewis – Cello (1), Bass (3)
- Barrie Cadogan – Guitar (2,13)
- Billy Skinner – Drums (2,13)
- Lewis Wharton – Bass (2,13)
- Simon Dine – Cowbell (2), Horns (2,13), Guitar (2,12), Siren (2), Orchestration (5,7,9,15,20), Percussion (5,7,9), Marimba (12), Moog (12,19), Oo-Ahh (12), Sonic Elements (13), Mandolin (15)
- Charles Rees – Drums (3), Moog (21), Harmonium (21), Piano (21)
- Robert Wyatt – Trumpet (7), Piano (7)
- Steve White – (8)
- Graham Coxon – Drums (10)
- Models Own – Peacock Voices (10)
- Pete Howard – Drums (12)
- Noel Gallagher – Bass (14), Piano (14), Mellotron (14), Wurlitzer (14)
- Gem Archer – Guitar (14), Mellotron (14)
- Terry Kirkbridge – Drums (14)
- Steve Brookes – Spanish Guitar (15)
- Arlia de Ruiter – Violin (16)
- Lorre Lynn Trytten – Violin (16)
- Mieke Honinh – Viola (16)
- William Friede – Arrangement (16)
- Aziz Ibrahim – Spoken Word (18)
- God – Thunder (21), Rain (21), Elements (21)
| Preceded by Here I Stand by Usher |
UK Albums Chart number-one album 6–13 June 2008 |
Succeeded by Viva la Vida or Death and All His Friends by Coldplay |
Read more about this topic: 22 Dreams
Famous quotes containing the words additional and/or musicians:
“The mere existence of an additional child or children in the family could signify Less. Less time alone with parents. Less attention for hurts and disappointments. Less approval for accomplishments. . . . No wonder children struggle so fiercely to be first or best. No wonder they mobilize all their energy to have more or most. Or better still, all.”
—Adele Faber (20th century)
“Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.”
—Honoré De Balzac (1799–1850)