Film
- January 17: Agent X44 (Star Cinema)
- February 14: The Promise (GMA Films/Regal Films), Troika (Daven Productions International)
- February 21: Faces of Love
- February 28: You Got Me (Star Cinema)
- March 13: Siquijor: Mystic Island (Centerstage Productions)
- March 14: Happy Hearts (Regal Films)
- March 20: Pantasya (Centerstage Productions)
- March 21: M.O.N.A.Y (Misteyks obda neyson adres Yata) ni Mr. Shooli (Onabru Productions)
- April 7: Ang Cute Ng Ina Mo (Star Cinema/Viva Films)
- May 23: Baliw (Redd5Luke Productions)
- May 30: Paano Kita Iibigin (Star Cinema)
- June 13: Angels (Eagle Eye Productions)
- July 4: Tiyanaks (Regal Films)
- July 13: Kadin (Cinemalaya Productions)
- July 27: Ouija (GMA Films)
- August 29: My Kuya's Wedding (Regal Films)
- September 26: I've Fallen for You (Star Cinema)
- October 3: Mona, Singapore Escort (Bandit Films)
- October 10: Apat Dapat, Dapat Apat: Friends 4 Lyf and Death (Viva Films)
- November 14: One More Chance (Star Cinema)
- December 25: 2007 Metro Manila Film Festival:
- Bahay Kubo (Regal Films)
- Enteng Kabisote 4: Okay Ka, Fairy Ko: The Beginning of the Legend (M-Zet Productions)
- Katas ng Saudi (Maverick Films)
- Resiklo (Ignite Media)
- Sakal, Sakali, Saklolo (Star Cinema)
- Shake, Rattle & Roll 9 (Regal Films)
Read more about this topic: 2007 In The Philippines
Famous quotes containing the word film:
“If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.”
—Salman Rushdie (b. 1948)
“All the old supports going, gone, this man reaches out a hand to steady himself on a ledge of rough brick that is warm in the sun: his hand feeds him messages of solidity, but his mind messages of destruction, for this breathing substance, made of earth, will be a dance of atoms, he knows it, his intelligence tells him so: there will soon be war, he is in the middle of war, where he stands will be a waste, mounds of rubble, and this solid earthy substance will be a film of dust on ruins.”
—Doris Lessing (b. 1919)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)