Film
- January 17: Agent X44 (Star Cinema)
- February 14: The Promise (GMA Films/Regal Films), Troika (Daven Productions International)
- February 21: Faces of Love
- February 28: You Got Me (Star Cinema)
- March 13: Siquijor: Mystic Island (Centerstage Productions)
- March 14: Happy Hearts (Regal Films)
- March 20: Pantasya (Centerstage Productions)
- March 21: M.O.N.A.Y (Misteyks obda neyson adres Yata) ni Mr. Shooli (Onabru Productions)
- April 7: Ang Cute Ng Ina Mo (Star Cinema/Viva Films)
- May 23: Baliw (Redd5Luke Productions)
- May 30: Paano Kita Iibigin (Star Cinema)
- June 13: Angels (Eagle Eye Productions)
- July 4: Tiyanaks (Regal Films)
- July 13: Kadin (Cinemalaya Productions)
- July 27: Ouija (GMA Films)
- August 29: My Kuya's Wedding (Regal Films)
- September 26: I've Fallen for You (Star Cinema)
- October 3: Mona, Singapore Escort (Bandit Films)
- October 10: Apat Dapat, Dapat Apat: Friends 4 Lyf and Death (Viva Films)
- November 14: One More Chance (Star Cinema)
- December 25: 2007 Metro Manila Film Festival:
- Bahay Kubo (Regal Films)
- Enteng Kabisote 4: Okay Ka, Fairy Ko: The Beginning of the Legend (M-Zet Productions)
- Katas ng Saudi (Maverick Films)
- Resiklo (Ignite Media)
- Sakal, Sakali, Saklolo (Star Cinema)
- Shake, Rattle & Roll 9 (Regal Films)
Read more about this topic: 2007 In The Philippines
Famous quotes containing the word film:
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (18881959)
“The womans world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)