Additional Awards
| Award | Song (if available for award) |
Recipient |
|---|---|---|
| The most popular new artist (最受歡迎新人獎) | - | (gold) Fiona Sit |
| - | - | (silver) Yan Ng |
| - | - | (bronze) Endy Chow |
| The best phone voted song (最受歡迎Phone投歌大獎) | 黃 | Nicholas Tse |
| The most popular commercial song (最受歡迎廣告歌曲大獎) | 心病 | (gold) Joey Yung |
| - | 常言道 | (silver) Andy Lau |
| - | 超時空接觸 | (bronze) Twins, Boy'z, Isabella Leong |
| The most popular Chinese song (最受歡迎華語歌曲獎) | 原來我有愛 | (gold) Andy Lau |
| - | 獨照 | (silver) Joey Yung |
| - | Happy Girl | (bronze) Yu fei-mun (與非門) |
| The best group song (最受歡迎合唱歌曲獎) | 好好戀愛 | Alex Fong, Stephy Tang |
| Most popular self-composed singer (最受歡迎唱作歌星) | - | (gold) Gigi Leung |
| - | - | (silver) Hins Cheung |
| - | - | (bronze) Pong Nan (藍奕邦) |
| Outstanding performance award (傑出表現獎) | - | (gold) Edison Chen |
| - | - | (silver) Shawn Yue |
| - | - | (bronze) Jade Kwan |
| Rising star song (新星試打金曲獎) | 思覺失調 | Wilfred Lau |
| Most popular adapted song award (最受歡迎改編歌曲演繹大獎) |
好睇 | Emme Wong |
| The best compositions (最佳作曲) | 小城大事 | Mark Lui, performed by Miriam Yeung |
| The best lyrics (最佳填詞) | 奇洛李維斯回信 | Wyman Wong, performed by Fiona Sit |
| The best music arrangement (最佳編曲) | 翡翠劇場 | Keith Leung (梁基爵), performed by Anthony Wong |
| The best song producer (最佳歌曲監製) | 愛與誠 | Mark Lui, performed by Leo Ku |
| Community chest charity live-combination award (公益金 Live 大不同組合大獎) |
兩忘骽水裡 | Joey Yung, Anthony Wong |
| Four channel award (四台聯頒音樂大獎) | - | Miriam Yeung |
| Asian Pacific most popular Hong Kong male artist (亞太區最受歡迎香港男歌星獎) |
- | Andy Lau |
| Asian Pacific most popular Hong Kong female artist (亞太區最受歡迎香港女歌星獎) |
- | Kelly Chen |
| The most popular male artist (最受歡迎男歌星) | - | Andy Lau |
| The most popular female artist (最受歡迎女歌星) | - | Joey Yung |
| Gold song gold award (金曲金獎) | 小城大事 | Miriam Yeung |
Read more about this topic: 2004 Jade Solid Gold Best Ten Music Awards Presentation
Famous quotes containing the word additional:
“Dog. A kind of additional or subsidiary Deity designed to catch the overflow and surplus of the world’s worship.”
—Ambrose Bierce (1842–1914)