1997 Toronto International Film Festival - Special Presentations

Special Presentations

  • Afterglow by Alan Rudolph
  • The Apostle by Robert Duvall
  • Le Bassin de J.W. by João César Monteiro
  • The Big One by Michael Moore
  • The Blackout by Abel Ferrara
  • The Blood Oranges by Philip Haas
  • Boogie Nights by Paul Thomas Anderson
  • Face by Antonia Bird
  • Fast, Cheap & Out of Control by Errol Morris
  • Hana-bi by Takeshi Kitano
  • 4 Little Girls by Spike Lee
  • Henry Fool by Hal Hartley
  • The House of Yes by Mark Waters
  • The Informant by Jim McBride
  • Inspirations by Michael Apted
  • The Alarmist by Evan Dunsky
  • Loved by Erin Dignam
  • Mr. Jealousy by Noah Baumbach
  • My Best Girl by Sam Taylor
  • Nil by Mouth by Gary Oldman
  • One Night Stand by Mike Figgis
  • Pronto by Jim McBride
  • The Spanish Prisoner by David Mamet
  • Suicide Kings by Peter O'Fallon
  • The Tango Lesson by Sally Potter
  • Two Girls and a Guy by James Toback
  • Welcome to Sarajevo by Michael Winterbottom
  • Year of the Horse by Jim Jarmusch

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    We agree fully that the mother and unborn child demand special consideration. But so does the soldier and the man maimed in industry. Industrial conditions that are suitable for a stalwart, young, unmarried woman are certainly not equally suitable to the pregnant woman or the mother of young children. Yet “welfare” laws apply to all women alike. Such blanket legislation is as absurd as fixing industrial conditions for men on a basis of their all being wounded soldiers would be.
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