Main Draw
| Last 16 Best of 9 frames |
Quarter-finals Best of 9 frames |
Semi-finals Best of 11 frames |
Final Best of 17 frames |
|||||||||||||||
| 1 | Stephen Hendry | 5 | ||||||||||||||||
| 15 | John Virgo | 1 | ||||||||||||||||
| 1 | Stephen Hendry | 5 | ||||||||||||||||
| 16 | Tony Meo | 0 | ||||||||||||||||
| 16 | Tony Meo | 5 | ||||||||||||||||
| 8 | Dean Reynolds | 2 | ||||||||||||||||
| 1 | Stephen Hendry | 6 | ||||||||||||||||
| 4 | Jimmy White | 1 | ||||||||||||||||
| 5 | Doug Mountjoy | 4 | ||||||||||||||||
| 9 | Steve James | 5 | ||||||||||||||||
| 9 | Steve James | 4 | ||||||||||||||||
| 4 | Jimmy White | 5 | ||||||||||||||||
| 4 | Jimmy White | 5 | ||||||||||||||||
| 12 | Martin Clark | 1 | ||||||||||||||||
| 1 | Stephen Hendry | 9 | ||||||||||||||||
| 7 | Mike Hallett | 8 | ||||||||||||||||
| 3 | John Parrott | 5 | ||||||||||||||||
| 11 | Willie Thorne | 3 | ||||||||||||||||
| 3 | John Parrott | 2 | ||||||||||||||||
| 6 | Terry Griffiths | 5 | ||||||||||||||||
| 6 | Terry Griffiths | 5 | ||||||||||||||||
| 10 | Dennis Taylor | 2 | ||||||||||||||||
| 6 | Terry Griffiths | 3 | ||||||||||||||||
| 7 | Mike Hallett | 6 | ||||||||||||||||
| 7 | Mike Hallett | 5 | ||||||||||||||||
| Alan McManus | 3 | |||||||||||||||||
| 7 | Mike Hallett | 5 | ||||||||||||||||
| 13 | Neal Foulds | 1 | ||||||||||||||||
| 2 | Steve Davis | 4 | ||||||||||||||||
| 13 | Neal Foulds | 5 | ||||||||||||||||
Read more about this topic: 1991 Masters (snooker)
Famous quotes containing the words main and/or draw:
“What is done for science must also be done for art: accepting undesirable side effects for the sake of the main goal, and moreover diminishing their importance by making this main goal more magnificent. For one should reform forward, not backward: social illnesses, revolutions, are evolutions inhibited by a conserving stupidity.”
—Robert Musil (18801942)
“Writing prejudicial, off-putting reviews is a precise exercise in applied black magic. The reviewer can draw free- floating disagreeable associations to a book by implying that the book is completely unimportant without saying exactly why, and carefully avoiding any clear images that could capture the readers full attention.”
—William Burroughs (b. 1914)