Highest-grossing Films
| Rank | Film | Year | Worldwide Gross | Studio |
|---|---|---|---|---|
| 1. | Titanic | 1997 | $1,843,201,268 | Paramount |
| 2. | Star Wars Episode I: The Phantom Menace | 1999 | $924,317,558 | Fox |
| 3. | Jurassic Park | 1993 | $914,691,118 | Universal |
| 4. | Independence Day | 1996 | $817,400,891 | Fox |
| 5. | The Lion King | 1994 | $783,841,776 | Walt Disney Pictures |
| 6. | Forrest Gump | 1994 | $677,387,716 | Paramount |
| 7. | The Sixth Sense | 1999 | $672,806,292 | Hollywood Pictures |
| 8. | The Lost World: Jurassic Park | 1997 | $618,638,999 | Universal |
| 9. | Men in Black | 1997 | $589,390,539 | Columbia |
| 10. | Armageddon | 1998 | $553,709,788 | Buena Vista |
| 11. | Terminator 2: Judgment Day | 1991 | $519,398,546 | TriStar |
| 12. | Ghost | 1990 | $505,702,588 | Paramount |
| 13. | Aladdin | 1992 | $504,050,219 | Buena Vista |
| 14. | Twister | 1996 | $494,471,524 | Warner Bros. |
| 15. | Saving Private Ryan | 1998 | $481,840,909 | DreamWorks |
| 16. | Home Alone | 1990 | $476,684,675 | Fox |
| 17. | Austin Powers: The Spy Who Shagged Me | 1999 | $205,040,086 | New Line |
| 18. | Mrs. Doubtfire | 1993 | $441,286,195 | Fox |
| 19. | Basic Instinct | 1992 | $352,927,224 | TriStar Pictures |
| 20. | Toy Story | 1995 | $191,796,233 | Buena Vista |
| 21. | Dances with Wolves | 1990 | $184,208,848 | Orion |
| 22. | Batman Forever | 1995 | $184,031,112 | Warner Bros. |
| 23. | The Fugitive | 1993 | $183,875,760 | Warner Bros. |
| 24. | Liar Liar | 1997 | $181,410,615 | Universal |
| 25. | Mission: Impossible | 1996 | $180,981,856 | Paramount |
| 26. | Pretty Woman | 1990 | $178,406,268 | Buena Vista |
| 27. | There's Something About Mary | 1998 | $176,484,651 | Fox |
| 28. | Home Alone 2: Lost in New York | 1992 | $173,585,516 | Fox |
| 29. | Air Force One | 1997 | $172,956,409 | Sony |
| 30. | Apollo 13 | 1995 | $172,071,312 | Universal |
| 31. | The Matrix | 1999 | $171,479,930 | Warner Bros. |
| 32. | Tarzan | 1999 | $171,091,819 | Buena Vista |
| 33. | Robin Hood: Prince of Thieves | 1991 | $165,493,908 | Warner Bros. |
| 34. | Big Daddy | 1999 | $163,479,795 | Sony |
| 35. | Batman Returns | 1992 | $162,831,698 | Warner Bros. |
| 36. | A Bug's Life | 1998 | $162,798,565 | Buena Vista |
| 37. | The Waterboy | 1998 | $161,491,646 | Buena Vista |
| 38. | The Firm | 1993 | $158,348,367 | Paramount |
| 39. | The Mummy | 1999 | $155,385,488 | Universal |
| 40. | Jerry Maguire | 1996 | $153,952,592 | Sony |
| 41. | Runaway Bride | 1999 | $152,257,509 | Paramount |
| 42. | As Good as It Gets | 1997 | $148,478,011 | Sony |
| 43. | True Lies | 1994 | $146,282,411 | Fox |
| 44. | Beauty and the Beast | 1991 | $145,863,363 | Buena Vista |
| 45. | The Santa Clause | 1994 | $144,833,357 | Buena Vista |
| 46. | Lethal Weapon 3 | 1992 | $144,731,527 | Warner Bros. |
| 47. | Dr. Dolittle | 1998 | $144,156,605 | Fox |
| 48. | Pocahontas | 1995 | $141,579,773 | Buena Vista |
| 49. | A Few Good Men | 1992 | $141,340,178 | Columbia |
| 50. | Rush Hour | 1998 | $141,186,864 | New Line, Thinkfun |
Read more about this topic: 1990s In Film
Famous quotes containing the word films:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
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