1980s In Music
For music from a year in the 1980s, go to 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89
For a history of music in all times, see Timeline of musical events.
Popular music |
Timeline of musical events |
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List of popular music genres |
This article includes an overview of the major events and trends in popular music in the 1980s.
The 1980s saw the emergence of pop, dance music and New Wave. As the term disco fell out of fashion in the decade's early years, genres such as post-disco, Italo disco, Euro disco and dance-pop became more popular. Rock music continued to enjoy a wide audience; sub-genres such as New Wave, soft rock, and glam metal emerged and developed a significant following. Adult contemporary, quiet storm, and smooth jazz gained popularity.
The 1980s are commonly associated with the usage of synthesizers, thus, synthpop music and other electronic genres featuring non-traditional instruments exploded in popularity. Also during this decade, several major electronic genres were developed, including electro, techno, house, freestyle and Eurodance, rising in prominence during the 1990s and beyond. Throughout the decade, R&B, hip hop and urban music in general were becoming commonplace, particularly in the inner-city areas of large, metropolitan cities; rap was especially successful in the latter part of the decade, with the advent of the golden age of hip hop. These urban genres, rap and hip hop particularly, would continue their rise in popularity through the 1990s and 2000s.
A 2010 survey conducted by the digital broadcaster Music Choice, which polled over 11,000 participants, revealed that the 1980s is the most favored music decade of the last 50 years.
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Famous quotes containing the word music:
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)