1974 in Music - Published Popular Music

Published Popular Music

  • "Annie's Song" w.m. John Denver
  • "Happy Days" w.m. Pratt & McClain from the ABC-TV Series Happy Days
  • "Hasta Mañana" w.m. Benny Andersson, Stig Anderson & Björn Ulvaeus
  • "I Honestly Love You" w.m. Peter Allen & Jeff Barry
  • "I Won't Send Roses" w.m. Jerry Herman from the musical Mack & Mabel
  • "I've Got The Music In Me" w.m. Bias Boshell
  • "Midnight At The Oasis" w.m. David Nichtern
  • "Murder On The Orient Express" m. Richard Rodney Bennett from the film Murder on the Orient Express
  • "Freebird" – Lynyrd Skynyrd
  • "No Goodbyes" w.m. Richard M. Sherman & Robert B. Sherman from the musical Over Here
  • "Pencil Thin Mustache" w.m. Jimmy Buffett
  • "Ring Ring" w.m. Benny Andersson, Stig Anderson, Björn Ulvaeus, Neil Sedaka & Phil Cody
  • "She" w. Herbert Kretzmer m. Charles Aznavour
  • "Southern Nights" w.m. Allen Toussaint
  • "Sundown" w.m. Gordon Lightfoot
  • "Sunshine On My Shoulder" w.m. John Denver, Richard Kniss & Michael Taylor
  • "Tap Your Troubles Away" w.m. Jerry Herman from the musical Mack & Mabel
  • "Waterloo" w.m. Benny Andersson, Stig Anderson & Björn Ulvaeus
  • "We May Never Love Like This Again" w.m. Al Kasha & Joel Hirschorn. From the film The Towering Inferno
  • "Whatever Happened to Randolph Scott" w.m. Don Reid
  • "(You're) Having My Baby" w.m. Paul Anka
  • "Gigi L'Amoroso" – Dalida
  • "Anima Mia" – Dalida
  • "Ta Femme" – Dalida

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    “Man cannot bury his meanings so deep in his book, but time and like-minded men will find them. Plato had a secret doctrine, had he? What secret can he conceal from the eyes of Bacon? of Montaigne? of Kant? Therefore, Aristotle said of his works, “They are published and not published.””
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    “If our entertainment culture seems debased and unsatisfying, the hope is that our children will create something of greater worth. But it is as if we expect them to create out of nothing, like God, for the encouragement of creativity is in the popular mind, opposed to instruction. There is little sense that creativity must grow out of tradition, even when it is critical of that tradition, and children are scarcely being given the materials on which their creativity could work”
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    “Slow, slow, fresh fount, keep time with my salt tears;
    Yet slower yet, oh faintly gentle springs:
    List to the heavy part the music bears,
    “Woe weeps out her division when she sings.”
    Droop herbs and flowers;
    Fall grief in showers;
    “Our beauties are not ours”:
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    Like melting snow upon some craggy hill,
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    Since nature’s pride is, now, a withered daffodil.”
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