Origins of The JVP
See also: History of Sri LankaThe movement was started in the late 1960s by Rohana Wijeweera, the son of a businessman from the seaport of Tangalle, Hambantota District. An excellent student, Wijeweera had been forced to give up his studies for financial reasons. Through friends of his father, a member of the Ceylon Communist Party, Wijeweera successfully applied for a scholarship in the Soviet Union, and in 1960, at the age of 17, he went to Moscow to study medicine at Patrice Lumumba University. While in Moscow he studied Marxist ideology but, because of his openly expressed sympathies for Maoist revolutionary theory, he was denied a visa to return to the Soviet Union after a brief trip home in 1964. Over the next several years he was active in the pro-Beijing branch of the Ceylon Communist Party, but he was increasingly at odds with party leaders and impatient with its lack of revolutionary purpose. His success in working with youth groups and his popularity as a public speaker led him to organize his own movement in 1967. Initially identified simply as the New Left, this group drew on students and unemployed youths from rural areas, most of them in the 16- to 25-year-old range who felt that their economic interests had been neglected by the nation's leftist coalitions. The standard program of indoctrination, the so-called Five Lectures, included discussions of Indian imperialism, the growing economic crisis, the failure of the island's communist and socialist parties and the need for a sudden, violent seizure of power.
Read more about this topic: 1971 JVP Insurrection
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“Compare the history of the novel to that of rock n roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. Material Differences, Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)