1960 in Music - Published Popular Music

Published Popular Music

  • "Ain't That A Kick In The Head?" w. Sammy Cahn m. Jimmy Van Heusen
  • "Alley-Oop" w.m. Dallas Frazier
  • "Apache" m. Jerry Lordan
  • "As Long as He Needs Me" w.m. Lionel Bart from the musical Oliver!
  • "Bonanza!" w.m. Jay Livingston & Ray Evans
  • "Calcutta" w. Lee Pockriss & Paul Vance m. Heino Gaze
  • "Calendar Girl" w. Howard Greenfield m. Neil Sedaka
  • "Camelot" w. Alan Jay Lerner m. Frederick Loewe
  • "Cathy's Clown" w.m. Don Everly & Phil Everly
  • "Chain Gang" w.m. Sam Cooke
  • "Everybody's Somebody's Fool" w. Howard Greenfield m. Jack Keller
  • "Good Timin'" w.m. Fred Tobias & Clint Ballard, Jr.
  • "Goodness Gracious Me" D. Lee, H. Kretzmer
  • "He Will Break Your Heart" w.m. Jerry Butler, Calvin Carter & Curtis Mayfield
  • "I Gotta Know" w.m. Paul Evans & Matt Williams
  • "I Want to Be Wanted" w. (Eng) Kim Gannon (Ital) A. Testa m. Pino Spotti
  • "I'd Do Anything" w.m. Lionel Bart
  • "I'll Be There" w.m. Bobby Darin
  • "I'm Sorry" w.m. Ronnie Self & Dub Allbritten
  • "Irma La Douce" w. (Eng) Julian More, David Heneker & Monty Norman (Fr) Alexandre Breffort m. Marguerite Monnot
  • "It's Now or Never" w.m. adapt. Aaron Schroeder & Wally Gold
  • "Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini" w. Paul Vance & Lee Pockriss m. Brian Hyland
  • "Last Date" m. Floyd Cramer
  • "Little Boy Lost" w.m. Johnny Ashcroft & Tony Withers
  • "A Million to One" w.m. Phil Medley
  • "Mister Custer" w.m. Fred Darian, Al De Lory & Joseph Van Winkle
  • "Money (That's What I Want)" w.m. Janie Bradford & Berry Gordy, Jr.
  • "Mountain of Love" w.m. Harold Dorman
  • "My Heart Has a Mind of Its Own" w. Howard Greenfield m. Jack Keller
  • "Never On Sunday" w. (Eng) Billy Towne (Greek) Manos Hadjidakis m. Manos Hadjidakis
  • "North to Alaska" w.m. Mike Phillips
  • "Only The Lonely" w.m. Roy Orbison & Joe Melson
  • "Please Don't Tease" B. Welch, P. Chester
  • "Please Help Me, I'm Falling" w.m. Don Robertson & Hal Blair
  • "Poetry in Motion" w.m. Paul Kauffman & Mike Anthony
  • "Puppy Love" w.m. Paul Anka
  • "Rubber Ball" w.m. Anne Orlowski & Aaron Schroeder
  • "Run Samson Run" w. Howard Greenfield m. Neil Sedaka
  • "Sailor" w. (Eng) Alan Holt (Ger) Fini Busch m. Werner Scharfenberger
  • "Save The Last Dance For Me" w.m. Doc Pomus & Mort Shuman
  • "The Second Time Around" w. Sammy Cahn m. Jimmy Van Heusen. Introduced by Bing Crosby in the film High Time.
  • "She Wears My Ring" w.m. Felice & Boudleaux Bryant
  • "Sink the Bismark" w.m. Tillman Franks & Johnny Horton
  • "Sixteen Reasons" w.m. Bill Post & Doree Post
  • "Soon It's Gonna Rain" w. Tom Jones m. Harvey Schmidt
  • "Spanish Harlem" Jerry Leiber, Phil Spector
  • "Stairway to Heaven" w. Howard Greenfield m. Neil Sedaka
  • "Stay" w.m. Maurice Williams
  • "Stuck on You" w.m. Aaron Schroeder & J. Leslie McFarland
  • "A Taste of Honey" w. Ric Marlow m. Bobby Scott
  • "Tell Laura I Love Her" w.m. Jeff Barry & Ben Raleigh
  • "Theme from A Summer Place" m. Max Steiner
  • "Tie Me Kangaroo Down, Sport" w.m. Rolf Harris
  • "Try to Remember" w. Tom Jones m. Harvey Schmidt
  • "The Twist" w.m. Hank Ballard
  • "Walk, Don't Run" w.m. Johnny Smith
  • "Walking to New Orleans" w.m. Bobby Charles
  • "When Will I Be Loved" w.m. Phil Everly
  • "Wild One" w.m. Bernie Lowe, Kal Mann & Dave Appell
  • "Will You Love Me Tomorrow" Carole King, Gerry Goffin
  • "Wings of a Dove" Robert B. "Bob" Ferguson, Sr.
  • "Wooden Heart" w.m. adapt. Fred Wise, Ben Weisman, Kay Twomey & Bert Kaempfert
  • "(In The Summertime) You Don't Want My Love" w.m. Roger Miller
  • "You Talk Too Much" w.m. Joe Jones & Reginald Hall
  • "You're Sixteen" w.m. Richard M. Sherman & Robert B. Sherman

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    Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.
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    If the Union is now dissolved it does not prove that the experiment of popular government is a failure.... But the experiment of uniting free states and slaveholding states in one nation is, perhaps, a failure.... There probably is an “irrepressible conflict” between freedom and slavery. It may as well be admitted, and our new relations may as be formed with that as an admitted fact.
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    But listen, up the road, something gulps, the church spire
    Opens its eight bells out, skulls’ mouths which will not tire
    To tell how there is no music or movement which secures
    Escape from the weekday time. Which deadens and endures.
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