1931 in Music - Opera

Opera

  • Paul Abraham – Die Blume von Hawaii (operetta), staged 24 July, in Leipzig, Neues Theater
  • George Antheil - Helen Retires (not performed until 1934)
  • Arthur Benjamin - The Devil Take Her, staged 1 December, London, Royal College of Music
  • Alfredo Casella – La donna serpente, op. 50 (not performed until 1932)
  • Gustave Charpentier - Orphée
  • Paul Dessau - Das Eisenbahnspiel
  • George Enescu – Œdipe, op. 23 (not performed until 1936)
  • Walter Goehr - Malpopita
  • Arthur Honegger – La belle de Moudon (operetta), staged 30 May, in Mézières, Jorat (Switzerland)
  • Italo Montemezzi – La notte di Zoraima, staged 31 January, Teatro alla Scala, Milan
  • Germaine Tailleferre – Zoulaina (never performed)
  • Deems Taylor – Peter Ibbetson, op. 20, staged 7 February, Metropolitan Opera, New York
  • Gabriel von Wayditch - Horus
  • Egon Wellesz – Die Bakchantinnen, staged 20 June, Wiener Staatsoper, Vienna
  • Jaromir Weinberger – Milovaný hlas, staged 28 February, Munich
  • Ermanno Wolf-Ferrari – La vedova scaltra, staged 5 March, at the Teatro dell'Opera di Roma, Rome
  • Eugène Ysaÿe - Peter the Miner

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Famous quotes containing the word opera:

    A pretty air in an opera is prettier there than it could be anywhere else, I suppose, just as an honest man in politics shines more than he would elsewhere.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    The real exertion in the case of an opera singer lies not so much in her singing as in her acting of a role, for nearly every modern opera makes great dramatic and physical demands.
    Maria Jeritza (1887–1982)

    Opera once was an important social instrument—especially in Italy. With Rossini and Verdi people were listening to opera together and having the same catharsis with the same story, the same moral dilemmas. They were holding hands in the darkness. That has gone. Now perhaps they are holding hands watching television.
    Luciano Berio (b. 1925)