1931 in Film - Animated Short Film Series

Animated Short Film Series

  • Aesop's Film Fables (1921–1933)
  • Krazy Kat (1925–1940)
  • Oswald the Lucky Rabbit (1927–1938)
  • Mickey Mouse
    • The Birthday Party
    • Traffic Troubles
    • The Castaway
    • The Moose Hunt
    • The Delivery Boy
    • Mickey Steps Out
    • Blue Rhythm
    • Fishin' Around
    • The Barnyard Broadcast
    • The Beach Party
    • Mickey Cuts Up
    • Mickey's Orphans
  • Silly Symphonies
    • Birds of a Feather
    • Mother Goose Melodies
    • The China Plate
    • The Busy Beavers
    • The Cat's Out
    • Epyptian Melodies
    • The Clock Store
    • The Spider and the Fly
    • The Fox Hunt
    • The Ugly Duckling
  • Screen Songs (1929–1938)
  • Talkartoons (1929–1932)
    • Mask a Raid (featuring Betty Boop)
  • Looney Tunes (1930–1969)
  • Flip the Frog (1930–1933)
  • Terrytoons (1930–1964)
  • Toby the Pup (1930-1931)
  • Merrie Melodies (1931-1969)
  • Scrappy (1931-1941)
  • Tom and Jerry (Van Beuren) (1931-1933)

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    Of all nature’s animated kingdoms, fish are the most unchristian, inhospitable, heartless, and cold-blooded of creatures.
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    Language was not powerful enough to describe the infant phenomenon. “I’ll tell you what, sir,” he said; “the talent of this child is not to be imagined. She must be seen, sir—seen—to be ever so faintly appreciated.”... The infant phenomenon, though of short stature, had a comparatively aged countenance, and had moreover been precisely the same age—not perhaps to the full extent of the memory of the oldest inhabitant, but certainly for five good years.
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    Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into man’s ken now are but poor- mouthed ecclesiastical film stars and cliché-shouting publicity agents.
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    The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.
    Jeanine Basinger (b. 1936)