17th Academy Awards - Awards

Awards

Winners are listed first and highlighted in boldface.

Best Motion Picture Best Director
  • Leo McCarey for Paramount Pictures - Going My Way
    • Joseph Sistrom for Paramount Pictures - Double Indemnity
    • Arthur Hornblow, Jr. for Metro-Goldwyn-Mayer - Gaslight
    • David O. Selznick for United Artists - Since You Went Away
    • Darryl F. Zanuck for 20th Century Fox - Wilson
  • Leo McCarey – Going My Way
    • Billy Wilder – Double Indemnity
    • Otto Preminger – Laura
    • Alfred Hitchcock – Lifeboat
    • Henry King – Wilson
Best Actor Best Actress
  • Bing Crosby – Going My Way
    • Charles Boyer – Gaslight
    • Barry Fitzgerald – Going My Way
    • Cary Grant – None But the Lonely Heart
    • Alexander Knox – Wilson
  • Ingrid Bergman – Gaslight
    • Barbara Stanwyck – Double Indemnity
    • Bette Davis – Mr. Skeffington
    • Greer Garson – Mrs. Parkington
    • Claudette Colbert – Since You Went Away
Best Supporting Actor Best Supporting Actress
  • Barry Fitzgerald – Going My Way
    • Clifton Webb – Laura
    • Claude Rains – Mr. Skeffington
    • Monty Woolley – Since You Went Away
    • Hume Cronyn – The Seventh Cross
  • Ethel Barrymore – None But the Lonely Heart
    • Aline MacMahon – Dragon Seed
    • Angela Lansbury – Gaslight
    • Agnes Moorehead – Mrs. Parkington
    • Jennifer Jones – Since You Went Away
Best Original Screenplay Best Adapted Screenplay
  • Wilson – Lamar Trotti
    • Hail the Conquering Hero – Preston Sturges
    • The Miracle of Morgan's Creek – Preston Sturges
    • Two Girls and a Sailor – Richard Connell and Gladys Lehman
    • Wing and a Prayer – Jerome Cady
  • Going My Way – Frank Butler and Frank Cavett
    • Double Indemnity – Raymond Chandler and Billy Wilder
    • Gaslight – John L. Balderston, Walter Reisch and John Van Druten
    • Laura – Jay Dratler, Samuel Hoffenstein and Elizabeth Reinhardt
    • Meet Me in St. Louis – Irving Brecher and Fred F. Finklehoffe
Best Story Best Animated Short Film
  • Going My Way – Leo McCarey
    • A Guy Named Joe – David Boehm and Chandler Sprague
    • Lifeboat – John Steinbeck
    • None Shall Escape – Alfred Neumann and Joseph Than
    • The Sullivans – Edward Doherty and Jules Schermer
  • Mouse Trouble – Fred Quimby
    • And to Think I Saw It on Mulberry Street – George Pal
    • Dog, Cat and Canary – Raymond Katz
    • Fish Fry – Walter Lantz
    • How to Play Football – Walt Disney
    • My Boy, Johnny – Paul Terry
    • Swooner Crooner – Edward Selzer
Best Documentary Feature Best Documentary Short
  • The Fighting Lady
  • Resisting Enemy Interrogation
  • With the Marines at Tarawa
  • Hymn of the Nations
  • New Americans
Best Live Action Short Film, One-Reel Best Live Action Short Film, Two-Reel
  • Who's Who in Animal Land – Jerry Fairbanks
    • Blue Grass Gentlemen – Edmund Reek
    • Jammin' the Blues – Gordon Hollingshead
    • Movie Pests – Pete Smith
    • Screen Snapshots' 50th Anniversary of Motion Pictures – Ralph Staub
  • I Won't Play – Gordon Hollingshead
    • Bombalera – Louis Harris
    • Main Street Today – Jerry Bresler
Best Dramatic or Comedy Score Best Musical Score
  • Since You Went Away – Max Steiner
    • Address Unknown – Morris Stoloff and Ernst Toch
    • The Adventures of Mark Twain – Max Steiner
    • The Bridge of San Luis Rey – Dimitri Tiomkin
    • Casanova Brown – Arthur Lange
    • Christmas Holiday – H. J. Salter
    • Double Indemnity – Miklós Rózsa
    • The Fighting Seabees – Walter Scharf and Roy Webb
    • The Hairy Ape – Edward Paul and Michel Michelet
    • It Happened Tomorrow – Robert Stolz
    • Jack London – Frederic Efrem Rich
    • Kismet – Herbert Stothart
    • None but the Lonely Heart – Hanns Eisler and C. Bakaleinikoff
    • The Princess and the Pirate – David Rose
    • Summer Storm – Karl Hajos
    • Three Russian Girls – W. Franke Harling
    • Up in Mabel's Room – Edward Paul
    • Voice in the Wind – Michel Michelet
    • Wilson – Alfred Newman
    • Woman of the Town – Miklós Rózsa
  • Cover Girl – Morris Stoloff and Carmen Dragon
    • Brazil – Walter Scharf
    • Higher and Higher – C. Bakaleinikoff
    • Hollywood Canteen – Ray Heindorf
    • Irish Eyes Are Smiling – Alfred Newman
    • Knickerbocker Holiday – Werner R. Heymann and Kurt Weill
    • Lady in the Dark – Robert Emmett Dolan
    • Lady, Let's Dance – Edward Kay
    • Meet Me in St. Louis – Georgie Stoll
    • The Merry Monahans – H. J. Salter
    • Minstrel Man – Ferde Grofe and Leo Erdody
    • Sensations of 1945 – Mahlon Merrick
    • Song of the Open Road – Charles Previn
    • Up in Arms – Ray Heindorf and Louis Forbes
Best Original Song Best Sound Recording
  • "Swinging on a Star" from Going My Way – Music by James Van Heusen; Lyric by Johnny Burke
    • "I Couldn't Sleep a Wink Last Night" from Higher and Higher – Music by Jimmy McHugh; Lyric by Harold Adamson
    • "I'll Walk Alone" from Follow the Boys – Music by Jule Styne; Lyric by Sammy Cahn
    • "I'm Making Believe" from Sweet and Lowdown – Music by James V. Monaco; Lyric by Mack Gordon
    • "Long Ago and Far Away" from Cover Girl – Music by Jerome Kern; Lyric by Ira Gershwin
    • "Now I Know" from Up in Arms – Music by Harold Arlen; Lyric by Ted Koehler
    • "Remember Me to Carolina" from Minstrel Man – Music by Harry Revel; Lyrics by Paul Webster
    • "Rio de Janeiro" from Brazil – Music by Ary Barroso; Lyrics by Ned Washington
    • "Silver Shadows and Golden Dreams" from Lady, Let's Dance – Music by Lew Pollack; Lyric by Charles Newman
    • "Too Much in Love" from Song of the Open Road – Music by Walter Kent; Lyric by Kim Gannon
    • "The Trolley Song" from Meet Me in St. Louis – Music and Lyric by Ralph Blane and Hugh Martin
  • Wilson – E. H. Hansen, Fox Studio Sound Department
    • Brazil – Daniel J. Bloomberg, Republic Studio Sound Department
    • Casanova Brown – Thomas T. Moulton, Samuel Goldwyn Studio Sound Department
    • Cover Girl – John Livadary, Columbia Studio Sound Department
    • Double Indemnity – Loren L. Ryder, Paramount Studio Sound Department
    • His Butler's Sister – Bernard B. Brown, Universal Studio Sound Department
    • Hollywood Canteen – Nathan Levinson, Warner Bros. Studio Sound Department
    • It Happened Tomorrow – Jack Whitney, Sound Service, Inc.
    • Kismet – Douglas Shearer, MGM Studio Sound Department
    • Music in Manhattan – Stephen Dunn, RKO Radio Studio Sound Department
    • Voice in the Wind – W. M. Dalgleish, RCA Sound
Best Art Direction, Black and White Best Art Direction, Color
  • Gaslight – Art Direction: Cedric Gibbons and William Ferrari; Set Decoration: Paul Huldschinsky and Edwin B. Willis
    • Address Unknown – Art Direction: Lionel Banks and Walter Holscher; Set Decoration: Joseph Kish
    • The Adventures of Mark Twain – Art Direction: John Hughes; Set Decoration: Fred M. MacLean
    • Casanova Brown – Art Direction: Perry Ferguson; Set Decoration: Julia Heron
    • Laura – Art Direction: Lyle Wheeler and Leland Fuller; Set Decoration: Thomas Little
    • No Time for Love – Art Direction: Hans Dreier and Robert Usher; Set Decoration: Samuel M. Comer
    • Since You Went Away – Art Direction: Mark-Lee Kirk; Set Decoration: Victor A. Gangelin
    • Step Lively – Art Direction: Albert S. D'Agostino and Carroll Clark; Set Decoration: Darrell Silvera and Claude Carpenter
  • Wilson – Art Direction: Wiard Ihnen; Set Decoration: Thomas Little
    • The Climax – Art Direction: John B. Goodman and Alexander Golitzen; Set Decoration: Russell A. Gausman and Ira S. Webb
    • Cover Girl – Art Direction: Lionel Banks and Cary Odell; Set Decoration: Fay Babcock
    • The Desert Song – Art Direction: Charles Novi; Set Decoration: Jack McConaghy
    • Kismet – Art Direction: Cedric Gibbons and Daniel B. Cathcart; Set Decoration: Edwin B. Willis and Richard Pefferle
    • Lady in the Dark – Art Direction: Hans Dreier and Raoul Pene du Bois; Set Decoration: Ray Moyer
    • The Princess and the Pirate – Art Direction: Ernst Fegte; Set Decoration: Howard Bristol
Best Cinematography, Black and White Best Cinematography, Color
  • Laura – Joseph LaShelle
    • Double Indemnity – John F. Seitz
    • Dragon Seed – Sidney Wagner
    • Gaslight – Joseph Ruttenberg
    • Going My Way – Lionel Lindon
    • Lifeboat – Glen MacWilliams
    • Since You Went Away – Stanley Cortez and Lee Garmes
    • The Uninvited – Charles Lang
    • The White Cliffs of Dover – George J. Folsey
    • Thirty Seconds Over Tokyo – Robert Surtees and Harold Rosson
  • Wilson – Leon Shamroy
    • Cover Girl – Rudolph Maté and Allen M. Davey
    • Home in Indiana – Edward Cronjager
    • Kismet – Charles Rosher
    • Lady in the Dark – Ray Rennahan
    • Meet Me in St. Louis – George J. Folsey
Best Film Editing Best Visual Effects
  • Wilson – Barbara McLean
    • Going My Way – Leroy Stone
    • Janie – Owen Marks
    • None but the Lonely Heart – Roland Gross
    • Since You Went Away – Hal C. Kern and James E. Newcom
  • Thirty Seconds Over Tokyo – Photography: A. Arnold Gillespie, Donald Jahraus and Warren Newcombe; Sound: Douglas Shearer
    • Days of Glory – Photography: Vernon L. Walker; Sound: James G. Stewart and Roy Granville
    • Secret Command – Photography: David Allen, Ray Cory and Robert Wright; Sound: Russell Malmgren and Harry Kusnick
    • Since You Went Away – Photography: Jack Cosgrove; Sound: Arthur Johns
    • The Adventures of Mark Twain – Photography: Paul Detlefsen and John Crouse; Sound: Nathan Levinson
    • The Story of Dr. Wassell – Photography: Farciot Edouart and Gordon Jennings; Sound: George Dutton
    • Wilson – Photography: Fred Sersen; Sound: Roger Heman Sr.

Read more about this topic:  17th Academy Awards