Critical Reaction
The initial critical response to the show was resoundingly negative. Critics savaged Lerner's book while largely praising Bernstein's score. Only Patricia Routledge was spared, thanks mostly to her second act showstopper "Duet for One (The First Lady of the Land)" for which she received a mid-show standing ovation on opening night in New York. After Bernstein's death a concert version of the score, retitled A White House Cantata was recorded and released. That version tended to be reviewed as a classical work rather than a Broadway musical, a tendency encouraged by the casting of the leading roles with opera singers. Differences in the score and performance style make it impossible to judge the original musical fairly from the later recording. The score is considered by many musical theater historians and aficionados to be a forgotten, or at least neglected, masterpiece. Some of the songs have enjoyed some fame outside the show including "Take Care of This House," "The President Jefferson Sunday Luncheon Party March" and "Duet for One", a tour-de-force for a single actress portraying both Julia Grant and Lucy Hayes on the day of Rutherford B. Hayes's inauguration detailing the exhausting vote counts that had many questioning his legitimacy.
Author Ethan Mordden noted that "Bernstein and Lerner created an astonishingly good score, even a synoptic all-American one, with fanfare, march, waltz, blues. It's Bernstein's most classical work for Broadway."
Read more about this topic: 1600 Pennsylvania Avenue (musical)
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