Reception
In 2003, 15 Storeys High was nominated for a BAFTA in the Best New Director category for its unique style, and innovative shots.
"It should not take more than six minutes of your time to realise that this is the best comedy on television"
- The Sunday Times
"Lock's off-the-beaten-track sitcom is inadequate preparation for the live experience. On television Lock is bleak to the point of alienation."
- Bruce Dessau in the London Evening Standard, 19 December 2002.
"The straight acting, the rawness of the dialogue and arid production values make this resemble a Beckett play as filmed by Krzysztof Kieslowski. Minimal but beautifully constructed plots involve accidents at the local swimming baths and the loss of a sofa. On paper, 15 Storeys High is not remotely funny, but onscreen it has a bittersweet allure."
- Bruce Dessau in the London Evening Standard, 2 January 2004
"Many of the most successful sitcoms, such as Steptoe and Son, Fawlty Towers and Porridge, have featured characters who, for one reason or another, are unable to escape from each other. While no one would suggest that 15 Storeys High is in that league, it possesses an appealingly dark sense of the absurd..."
- James Rampton in The Independent, 26 February 2004.
"extraordinarily well-written comedy with plot strands and incidental characters worthy of vintage Seinfeld."
- The Times
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Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)