Production
101 Dalmatians: The Series debuted in syndication on September 1, 1997, running new episodes five days a week. Less than two weeks later, the show came to ABC's One Saturday Morning lineup, airing original episodes that could only be seen on the network. Sixty-five episodes were produced: Twelve shows with 21 episodes on ABC and 53 shows containing 84 episodes in syndication. By March 1998 the show played its last episode in syndication.
Reruns continued to play on ABC until 2000, when the show was moved to the Disney Channel and then later to Toon Disney. On January 30, 2006, Toon Disney aired the show for the final time regularly, while four episodes were shown in March 2007 for the final time. As of that day, 101 Dalmatians: The Series has been off the air in most countries with a Disney Channel franchise. It is currently being syndicated on the United Kingdom channel Disney Cinemagic and was also aired on the Latin American version of Disney Channel during 2008, then on January 2, 2010, Season 2 moved to RTE Two in Ireland. It aired a few times in early 2011 Fridays at 4 a.m. on Disney Junior, but after four airings, its airing has been discontinued. As of March 23, 2012, 101 Dalmatians returned to the Disney Junior Channel. It currently airs on that channel weekdays at 2:30 a.m., but only about half of the episodes have been broadcasting on the channel ever since.
Read more about this topic: 101 Dalmatians: The Series
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“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)