Yeah! Yeah! Die! Die! Death Metal Symphony in Deep C - Content

Content

Yeah! Yeah! Die! Die! features one main story encompassing the album. The story of a certain John Doe (played by Kärtsy Hatakka) whose life is being controlled by machines, specifically by a central "computer brain" (played by Tomi Koivusaari). An angel (played by Eeva-Kaarina Vilke) wants to help John Doe, and together they defeat the computer brain. However, without this controlling force, John Doe feels lost. He changes his mind and decides to save the computer brain. The story comes to a good end; the libretto states, "everybody simply decides to vanish into thin air and disappear into the pages of internet!"

In terms of style, Yeah! Yeah! Die! Die! is quite different from Waltari's regular work. The music is mostly inspired by classical music, and modern elements (not limited to metal) have been added. The album features long passages of purely classical music, inspired by composers such as Beethoven and Sibelius. However, for most of the album, the music varies between "symphony orchestra with a backing death metal band" and "death metal band with a backing orchestra".

Read more about this topic:  Yeah! Yeah! Die! Die! Death Metal Symphony In Deep C

Famous quotes containing the word content:

    The root of the discontent in American women is that they are too well educated.... There will be no real content among American women unless they are made and kept more ignorant or unless they are given equal opportunity with men to use what they have been taught. And American men will not be really happy until their women are.
    Pearl S. Buck (1892–1973)

    What is most original in a man’s nature is often that which is most desperate. Thus new systems are forced on the world by men who simply cannot bear the pain of living with what is. Creators care nothing for their systems except that they be unique. If Hitler had been born in Nazi Germany he wouldn’t have been content to enjoy the atmosphere.
    Leonard Cohen (b. 1934)

    Science asks no questions about the ontological pedigree or a priori character of a theory, but is content to judge it by its performance; and it is thus that a knowledge of nature, having all the certainty which the senses are competent to inspire, has been attained—a knowledge which maintains a strict neutrality toward all philosophical systems and concerns itself not with the genesis or a priori grounds of ideas.
    Chauncey Wright (1830–1875)