Cultural Context and Impact
The significance of the 1992 Barcelona Olympics in the story is that in the real world, this was the first time that Women's Judo would be a full competition event, and would thus see the awarding of the first ever Olympic gold medal for Women's Judo.
Yawara! was very popular in Japan, so when real life Japanese teenager Ryoko Tamura won a silver medal for judo at the 1992 Barcelona Olympics, she was seen as a real-life "Yawara" (her age, stature, and ability all being strikingly similar to those of the fictional character) and promptly nicknamed "Yawara-chan". She was still known by this name eight years later, indicating perhaps the enduring popular recognition of the series as well as that of Ryoko Tamura herself.
The track "Miracle Panda" on the Ranma 1/2 Fighting Karuta soundtrack is a parody of the Yawara opening theme "Miracle Girl" (both Yawara and Ranma 1/2 were produced by Kitty Film). The 2nd OP of the anime was then resung by Shimokawa Mikuni. Shoko Nakagawa resang the song again in her 10th single "Arigato no Egao".
Read more about this topic: Yawara! A Fashionable Judo Girl
Famous quotes containing the words cultural, context and/or impact:
“We are in the process of creating what deserves to be called the idiot culture. Not an idiot sub-culture, which every society has bubbling beneath the surface and which can provide harmless fun; but the culture itself. For the first time, the weird and the stupid and the coarse are becoming our cultural norm, even our cultural ideal.”
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“Parents are led to believe that they must be consistent, that is, always respond to the same issue the same way. Consistency is good up to a point but your child also needs to understand context and subtlety . . . much of adult life is governed by context: what is appropriate in one setting is not appropriate in another; the way something is said may be more important than what is said. . . .”
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“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)