Yamuna Vihar - Major Bus Routes

Major Bus Routes

It has good connectivity to all major places in delhi

  1. Outer Mudrika- to and from Ananad Vihar ISBT, Rohini, Janakpuri, Uttam Nagar, Nehru Place, Kalkaji etc.
  2. 260-Yamuna Vihar to Central Secretariat
  3. 261-Nandnagri to Central Secretariat
  4. 253-to Kashmiri Gate ISBT
  5. 254-Babarpur to Nangloi (via Yamuna Viahr-Wazirabad-nh1 bypass-Rohini-Peeragarhi)
  6. 165-Anand Vihar to Shahbad Dairy (via Dilshad Garden-gtb Hospital-Nandnagri-Yamuna Viahr-nh1 bypass-dce)
  7. 971-Anand Vihar to Avantika
  8. 333-Anand Vihar to Jahangirpuri
  9. 235-Nandnagri to Azadpur
  10. 784-Yamuna Vihar to Kamla Market (NEW DELHI RAILWAY STATION)
  11. 212-Nandnagri to Anand Parvat (via Yamuna Vihar-Mall Road-Delhi University)
  12. 234-Nandnagri to Karampura
  13. 24-Bhajanpura to Jheel (Krishna Nagar)
  14. 33-Bhajanpura to Noida
  15. 335-Nandnagri to Hauzkhas (via Preet Vihar-Laxmi Nagar)
  16. 374-Nandnagri to Nehru Place (via Preet Vihar-Laxmi Nagar-ITO)
  17. 205-Nandnagri to Old Delhi railway station
  18. Mini bus service to Mayur Vihar Phase-III via Seelampur, Kadkadi more
  19. Metro link service to Seelampur


Read more about this topic:  Yamuna Vihar

Famous quotes containing the words major, bus and/or routes:

    “The man, or the boy, in his development is psychologically deterred from incorporating serving characteristics by an easily observable fact: there are already people around who are clearly meant to serve and they are girls and women. To perform the activities these people are doing is to risk being, and being thought of, and thinking of oneself, as a woman. This has been made a terrifying prospect and has been made to constitute a major threat to masculine identity.”
    —Jean Baker Miller (20th century)

    “An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.”
    —Eleanor Robson Belmont (1878–1979)

    “The myth of independence from the mother is abandoned in mid- life as women learn new routes around the mother—both the mother without and the mother within. A mid-life daughter may reengage with a mother or put new controls on care and set limits to love. But whatever she does, her child’s history is never finished.”
    —Terri Apter (20th century)