Wore may refer to:

  • Write once, run anywhere
  • Wore, Benin

Read more about Wore:  See Also

Other articles related to "wore":

Chima (clothing)
... Women in the upper class wore a long chima which falls down to the floor while women in the lower class wore a shorter chima which length reaches to the calf of the leg ... In addition, Goguryeo women also wore saekdong chima that is a colorfully striped skirt by patchworking, and a chima in form of gored skirt, made by sewing several pieces of fabric without gathering ...
Shakespearean Fool - Costumes
... The actor wore a ragged or patchwork coat ... They wore closed breeches with tights, with each leg a different color ... He wore a long petticoat of different colors, made of expensive materials such as velvet trimmed with yellow ...
The Sash My Father Wore And Other Stories
... The Sash My Father Wore and Other Stories is the second studio album by Scottish group Ballboy, recorded in 2003 ... sectarianism in Scotland, and is named after the Ulster loyalist anthem "The Sash my Father Wore" ...
Wore, Benin
... Wore is a village in the commune of Parakou in the Borgou Department of central-eastern Benin ...
Leatherface - Mask
... In the original film, Leatherface wore three different masks the "Killing Mask", "Old Lady Mask" and "Pretty Woman Mask" ... Gunnar Hansen commented "The reason he wore a mask, according to Tobe and Kim, was that the mask really determined his personality ... concrete explanation as to why Leatherface wore masks ...

Famous quotes containing the word wore:

    Another day. Deliberations are recessed
    In an iron-blue chamber of that afternoon
    On which we wore things and looked well at
    A slab of business rising behind the stars.
    John Ashbery (b. 1927)

    But Father John went up,
    And Father John went down;
    And he wore small holes in his shoes,
    And he wore large holes in his gown.
    William Butler Yeats (1865–1939)

    The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.
    Raymond Chandler (1888–1959)