Words (Bee Gees Song) - Recording

Recording

The recording sessions for "Words" were especially memorable for two members of the group, Barry explained:

"I remember the session so clearly. Robin and I were in the studios at 9'o'clock in the morning, and Robin kept on falling asleep over the piano. I wanted him to write the piano part of the song and play it because I'm not much of a pianist, but he just couldn't keep his eyes open, so I ended up doing it myself".

"Words" was also the showcase for a new piano sound, as Maurice explained:

"We accidentally discovered the sound on 'Words'. When we were recording, after everyone had gone to lunch, I was sitting at the piano mucking about and I wrote a riff. I went upstairs and switched on the mike for the piano, and then I started playing about with the knobs in front of me. When i played the tape back, I had all these incredible compressed piano noises. Mike Claydon at IBC Studios, who engineered all our records, then said 'What the hell was that?' when he heard the piano sound. 'Come up here and listen to sound'. It was just compression, but he didn't know what to call it then. I think he called it 'limited'. It made the piano sound like it was about 40 pianos playing at the same time and very, very thick. In 'Words' it was very beautiful but that sound on it made it sound like the LA Symphony on it. If you listen to all our records, the piano sound is on it.

According to sound engineer Damon Lyon-Shaw":

"I was the one that actually devised it, Mike Claydon was the one who took the credit for it, but i was actually piddling around at the time as his junior. On the mixer at the time, we had compressors, Maurice was playing at piano at the time, just piddling around I started feeding the piano into a series of these compressors and then screwed them up until he got his lovely metallic sort of sucking sound, and that was the birth of that sound, Maurice, assumed it was Michael, so he took the credits.

Another sound engineer John Pantry offered to put things in a proper perspective:

"Well, Damon didn't make the compressor/limiter, and my memory is that we all used to use that sound once we discovered what it did to piano notes. As to who got there first is open to debate. The sound was unique because it was a home-made device that was made by a guy called Denis King".

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