Plot
The Stooges, employed as traveling salesmen, join the Woman Haters Club. They swear never to get romantically involved with a woman. That does not last very long. Jim (Larry) finds an attractive woman, Mary (Marjorie White), falls in love, and has proposed marriage. Misogynists Tom (Moe) and Jack (Curly) talk him out of it. However during the party, Mary's intimidating father threatens Jim to marry his attractive daughter by telling him a story about his other, unattractive daughter having a fiance who tried to abandon her on their wedding day. He and his brothers had roughed him up for it but also forced him to go through with the ceremony. Jim is convinced to go through the ceremony much to the man's dismay. Later, on a train ride, the confrontation escalates between the Stooges and Mary.
Mary uses her feminine charm to woo both Jack and Tom in an attempt to make Jim jealous. She sings a theme ("for you, for you my life my love my all") with each of the stooges in turn, as she flirts with them. Each is attracted to her charms as she proves the oath they swore as Women Haters was fraudulent(though Jack attempts to resist her). Finally, Mary tells Tom and Jack the truth, that she and Jim are married, and pushes her way into bed with the trio, knocking them out the train window in the process. The film closes as the Stooges, now old men, finally reunite (at the now almost empty Woman Haters club house) sharing their hatred of women and old age. What happened to Mary is not revealed.
Read more about this topic: Woman Haters
Famous quotes containing the word plot:
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (18561924)
“Ends in themselves, my letters plot no change;
They carry nothing dutiable; they wont
Aspire, astound, establish or estrange.”
—Philip Larkin (19221986)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)