Winthrop Paroo - Setting and Popular Culture References

Setting and Popular Culture References

The Music Man is set in the fictional town of River City, Iowa, in 1912. The town is based in large part on Willson's birthplace, Mason City, Iowa, and many of the musical's characters are based on people that Willson observed in the town.. The "river" in River City is probably the Mississippi River near Davenport, Iowa: the Rock Island conductor's announcing "River City, Iowa! Cigarettes illegal in this state" implies crossing the Mississippi from Rock Island, Illinois into Iowa. The year 1912 was a time of relative innocence, as recalled in 1957 after two world wars, the Great Depression and the arrival of atomic weapons.

The musical includes numerous references to popular culture of the time. For example, in making his pitch, Harold Hill lists popular musicians and composers: "Gilmore, Pat Conway, Giuseppe Creatore, W.C. Handy and John Philip Sousa". Some of the cultural references are anachronistic: "Trouble" contains references to both Captain Billy's Whiz Bang, a monthly humor magazine that didn't begin publication until October 1919, and the nonalcoholic "near-beer" Bevo, which was first brewed in 1916. In addition, Rafael Méndez (referred to by Hill as "O'Mendez," a great "Irish" trumpeter) would have been six years old in 1912.

Read more about this topic:  Winthrop Paroo

Famous quotes containing the words setting, popular and/or culture:

    Many working mothers feel guilty about not being at home. And when they are there, they wish it could be perfect.... This pressure to make every minute happy puts working parents in a bind when it comes to setting limits and modifying behavior.
    Cathy Rindner Tempelsman (20th century)

    The poet needs a ground in popular tradition on which he may work, and which, again, may restrain his art within the due temperance. It holds him to the people, supplies a foundation for his edifice; and, in furnishing so much work done to his hand, leaves him at leisure, and in full strength for the audacities of his imagination.
    Ralph Waldo Emerson (1803–1882)

    We now have a whole culture based on the assumption that people know nothing and so anything can be said to them.
    Stephen Vizinczey (b. 1933)