Setting and Popular Culture References
The Music Man is set in the fictional town of River City, Iowa, in 1912. The town is based in large part on Willson's birthplace, Mason City, Iowa, and many of the musical's characters are based on people that Willson observed in the town.. The "river" in River City is probably the Mississippi River near Davenport, Iowa: the Rock Island conductor's announcing "River City, Iowa! Cigarettes illegal in this state" implies crossing the Mississippi from Rock Island, Illinois into Iowa. The year 1912 was a time of relative innocence, as recalled in 1957 after two world wars, the Great Depression and the arrival of atomic weapons.
The musical includes numerous references to popular culture of the time. For example, in making his pitch, Harold Hill lists popular musicians and composers: "Gilmore, Pat Conway, Giuseppe Creatore, W.C. Handy and John Philip Sousa". Some of the cultural references are anachronistic: "Trouble" contains references to both Captain Billy's Whiz Bang, a monthly humor magazine that didn't begin publication until October 1919, and the nonalcoholic "near-beer" Bevo, which was first brewed in 1916. In addition, Rafael Méndez (referred to by Hill as "O'Mendez," a great "Irish" trumpeter) would have been six years old in 1912.
Read more about this topic: Winthrop Paroo
Famous quotes containing the words setting, popular and/or culture:
“In my dealing with my child, my Latin and Greek, my accomplishments and my money stead me nothing; but as much soul as I have avails. If I am wilful, he sets his will against mine, one for one, and leaves me, if I please, the degradation of beating him by my superiority of strength. But if I renounce my will, and act for the soul, setting that up as umpire between us two, out of his young eyes looks the same soul; he reveres and loves with me.”
—Ralph Waldo Emerson (1803–1882)
“Books of natural history aim commonly to be hasty schedules, or inventories of God’s property, by some clerk. They do not in the least teach the divine view of nature, but the popular view, or rather the popular method of studying nature, and make haste to conduct the persevering pupil only into that dilemma where the professors always dwell.”
—Henry David Thoreau (1817–1862)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)