Works
Veeder has been working for over 25 years on a historical novel about Ambrose Bierce and Emma Frances Dawson, which as of 2005 was unpublished and nameless.
Veeder's publications include:
- Henry James, the Lessons of the Master: Popular Fiction and Personal Style in the Nineteenth Century. U of Chicago P, 1975.
- The Woman Question: Society and Literature in Britain and America, 1837–1883, Volume 1: Defining Voices. Elizabeth K. Helsinger, Robin Lauterbach Sheets, William Veeder. U of Chicago P, 1989, c1983.
- The Woman Question: Society and Literature in Britain and America, 1837–1883, Volume 2: Social Issues. Elizabeth K. Helsinger, Robin Lauterbach Sheets, William Veeder. U of Chicago P, 1989, c1983.
- Mary Shelley & Frankenstein: the Fate of Androgyny. U of Chicago P, 1986.
- Dr. Jekyll and Mr. Hyde: After One Hundred Years. Edited by William Veeder and Gordon Hirsch. U of Chicago P, 1988.
- Art of Criticism. Edited by William Veeder and Susan M. Griffin. U of Chicago P, 1988.
His essays have appeared in:
- The Henry James Review
- New essays on The portrait of a lady. Edited by Joel Porte. Cambridge University Press, 1990.
- Henry James: the shorter fiction, reassessments. Edited by N.H. Reeve. St. Martin’s Press, 1997.
- American gothic: new interventions in a national narrative. Edited by Robert K. Martin & Eric Savoy. University of Iowa Press, c1998.
- Mary Shelley’s Frankenstein. Edited and introduced by Harold Bloom.
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Famous quotes containing the word works:
“My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mother’s in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.”
—George Bernard Shaw (1856–1950)
“There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
—Ralph Waldo Emerson (1803–1882)
“Your hooves have stamped at the black margin of the wood,
Even where horrible green parrots call and swing.
My works are all stamped down into the sultry mud.”
—William Butler Yeats (1865–1939)