William Blake in Popular Culture

William Blake In Popular Culture

William Blake's body of work has influenced countless writers, poets and painters, and his legacy is often apparent in modern popular culture. His artistic endeavours, which included songwriting in addition to writing, etching and painting, often espoused a sexual and imaginative freedom that has made him a uniquely influential figure, especially since the 1960s. Far more than any other canonical writer, his songs have been set and adapted by popular musicians including U2, Jah Wobble, Tangerine Dream, Bruce Dickinson and Ulver. Folk musicians, such as M. Ward, have adapted or incorporated portions of his work in their music, and figures such as Bob Dylan, Alasdair Gray and Allen Ginsberg have been influenced by him. The genre of the graphic novel traces its origins to Blake's etched songs and Prophetic Books, as does the genre of fantasy art.

Read more about William Blake In Popular Culture:  Literature, Visual Arts, Comics, and Graphic Novels, Television, Films, Games

Famous quotes containing the words popular culture, william blake, blake, popular and/or culture:

    The lowest form of popular culture—lack of information, misinformation, disinformation, and a contempt for the truth or the reality of most people’s lives—has overrun real journalism. Today, ordinary Americans are being stuffed with garbage.
    Carl Bernstein (b. 1944)

    The neo-hippie-dips, the sentimentality-crazed iguana anthropomorphizers, the Chicken Littles, the three-bong-hit William Blakes—thank God these people don’t actually go outdoors much, or the environment would be even worse than it is already.
    —P.J. (Patrick Jake)

    To the eyes of a miser a guinea is more beautiful than the sun, and a bag worn with the use of money has more beautiful proportions than a vine filled with grapes.
    —William Blake (1757–1827)

    Kings govern by popular assemblies only when they cannot do without them.
    Charles James Fox (1749–1806)

    With respect to a true culture and manhood, we are essentially provincial still, not metropolitan,—mere Jonathans. We are provincial, because we do not find at home our standards; because we do not worship truth, but the reflection of truth; because we are warped and narrowed by an exclusive devotion to trade and commerce and manufacturers and agriculture and the like, which are but means, and not the end.
    Henry David Thoreau (1817–1862)