Recording
With a fresh set of McCartney/McCartney tunes, in August 1971 the newly formed Wings recorded their debut in slightly more than a week, with the mindset that it had to be instant and raw in order to capture the freshness and vitality of a live studio recording. Five of the eight songs were recorded in one take. Paul McCartney would later cite the quick recording schedule of Bob Dylan as an inspiration for this.
The album was rehearsed at McCartney's recording studio in Scotland dubbed Rude Studio, which Paul and Linda had used to make demos of songs that would be used in albums from Wild Life to Driving Rain, and recorded at Abbey Road Studios with Tony Clarke engineering. Paul can be heard saying "Take it, Tony" at the beginning of "Mumbo".
On the promotional album, "The Complete Audio Guide To The Alan Parsons Project", Alan Parsons discusses how he did a rough mix of "I Am Your Singer" that Paul liked so much, he used it for the final mix on the album. Paul can be seen at Rude Studio in the 2001 documentary 'Wingspan'.
Paul handled all of the lead vocals, sharing those duties with Linda on "I Am Your Singer" and "Some People Never Know".
Read more about this topic: Wild Life (Wings album)
Famous quotes containing the word recording:
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)