Music
Father-and-son composer team Keith Strachan and Matthew Strachan wrote the Millionaire franchise's original musical score. Brought in after the initial pilot with a brief instructing them to create music providing mood and tension, they decided to approach the project like a film score with music playing almost throughout the entire show, a unique approach for a game show at the time. After almost completing the task they came up with the idea of taking the pitch up a semi-tone for each subsequent question in order to increase tension as the game progressed. The music has received numerous ASCAP awards.
When the U.S. version of Millionaire was honored by GSN on its Gameshow Hall of Fame special, the narrator described the show's original music tracks as "mimicking the sound of a beating heart," and stated that as the contestant works their way up the money ladder, the music is "perfectly in tune with their ever-increasing pulse." Although most international versions of the show still continue to use the Strachan score, in 2010 the U.S. version retired it altogether in favor of a new musical score, with cues composed by Jeff Lippencott and Mark T. Williams.
A soundtrack album was released, featuring most of the musical stages, but not all of them.
Read more about this topic: Who Wants To Be A Millionaire? (Thai Game Show)
Famous quotes containing the word music:
“Have you ever been up in your plane at night, alone, somewhere, 20,000 feet above the ocean?... Did you ever hear music up there?... It’s the music a man’s spirit sings to his heart, when the earth’s far away and there isn’t any more fear. It’s the high, fine, beautiful sound of an earth-bound creature who grew wings and flew up high and looked straight into the face of the future. And caught, just for an instant, the unbelievable vision of a free man in a free world.”
—Dalton Trumbo (1905–1976)
“Westminster Abbey is nature crystallized into a conventional form by man, with his sorrows, his joys, his failures, and his seeking for the Great Spirit. It is a frozen requiem, with a nation’s prayer ever in dumb music ascending.”
—M. E. W. Sherwood (1826–1903)
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)