Antonin Artaud
Antoine Marie Joseph Artaud, better known as Antonin Artaud (4 September 1896 – 4 March 1948), was a French playwright, poet, actor and theatre director. Antonin is a diminutive form of Antoine "little Anthony", and was among a list of names which Artaud used throughout his writing career.
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Some articles on antonin artaud:
Subjectile
... Antonin Artaud mentions the subjectile three times in his writing ... The first time Artaud used the word was in a letter to André Rolland de Renéville, ‘Herewith a bad drawing in which what is called the subjectile betrayed me.’ In 1946, ‘This drawing is grave ... English translation, which contains instead photographs of Artaud taken by Georges Pastier in 1947, the year before Artaud died ...
... Antonin Artaud mentions the subjectile three times in his writing ... The first time Artaud used the word was in a letter to André Rolland de Renéville, ‘Herewith a bad drawing in which what is called the subjectile betrayed me.’ In 1946, ‘This drawing is grave ... English translation, which contains instead photographs of Artaud taken by Georges Pastier in 1947, the year before Artaud died ...
Antonin Artaud - Bibliography
... Works by Artaud Artaud, Antonin ... Collected Works of Antonin Artaud, Trans ... Artaud, Antonin ...
... Works by Artaud Artaud, Antonin ... Collected Works of Antonin Artaud, Trans ... Artaud, Antonin ...
The Cenci - Antonin Artaud Adaptation
... Antonin Artaud staged his adaptation of Shelley's The Cenci in 1935, but his extensive use of surrealism in the performance meant that the production was shown only 17 times before closing ... Antonin Artaud used highly graphic and disturbing images that were meant to release the audience from their current state of mind, especially during the murder scene where the main character Count Cenci (the ... images were supposed to release the 'Savage under the skin', an aim that was commonly used by Artaud in many of his performances ...
... Antonin Artaud staged his adaptation of Shelley's The Cenci in 1935, but his extensive use of surrealism in the performance meant that the production was shown only 17 times before closing ... Antonin Artaud used highly graphic and disturbing images that were meant to release the audience from their current state of mind, especially during the murder scene where the main character Count Cenci (the ... images were supposed to release the 'Savage under the skin', an aim that was commonly used by Artaud in many of his performances ...
Teatralnaya Laboratoriya - Vadim Maksimov - Books
... Introduction into the system of Antonin Artaud ... The century of Antonin Artaud ... The aesthetic phenomena of Antonin Artaud ...
... Introduction into the system of Antonin Artaud ... The century of Antonin Artaud ... The aesthetic phenomena of Antonin Artaud ...
Cold Turkey Press
... Other publications included works by Antonin Artaud, Blaise Cendrars, Garcia Lorca, Cesar Vallejo, William Burroughs, Allen Ginsberg, Ed Sanders, Sinclair Belies, Carl Weissner, Ira Cohen, Heathcote Williams and others ... the appearance of his 'Fragmentations', a selection of painted stencilled texts by Antonin Artaud (suppôts et supplications), Henri Michaux, (Innards Upwards ... first publication of a poster sized new translation of Artaud's 'Le style me fait Horreur' ...
... Other publications included works by Antonin Artaud, Blaise Cendrars, Garcia Lorca, Cesar Vallejo, William Burroughs, Allen Ginsberg, Ed Sanders, Sinclair Belies, Carl Weissner, Ira Cohen, Heathcote Williams and others ... the appearance of his 'Fragmentations', a selection of painted stencilled texts by Antonin Artaud (suppôts et supplications), Henri Michaux, (Innards Upwards ... first publication of a poster sized new translation of Artaud's 'Le style me fait Horreur' ...
Famous quotes containing the words antonin artaud and/or artaud:
“With society and its public, there is no longer any other language than that of bombs, barricades, and all that follows.”
—Antonin Artaud (1896–1948)
“Tragedy on the stage is no longer enough for me, I shall bring it into my own life.”
—Antonin Artaud (1896–1948)