White Light/White Heat (song)
"White Light/White Heat" is a song by American avant-garde rock band The Velvet Underground, the title track on their second album, released in 1968. It is a fast, relentlessly aggressive start to the album, similar to the punk rock genre it would ultimately influence.
The song's vocals are performed primarily by Lou Reed, with John Cale and Sterling Morrison performing backing vocals. The song, much like "I'm Waiting for the Man", features a pounding rock-and-roll Barrelhouse-style piano vamp. The song is about the sensations produced by intravenous injection of methamphetamine and features a heavily distorted electric bass outro played by John Cale over a single chord. This bass solo purportedly mimics the throbbing, ear-ringing effects experienced during the methamphetamine "rush."
"White Light/White Heat" was released in 1968 as a single with the B-side "Here She Comes Now". "White Light/White Heat" was also a staple of the Velvet Underground's live performances from 1967 on. The tune appears on numerous live bootleg albums, and the nearly nine minute version included on the group's posthumous 1969 Live double LP is one of the album's centerpieces.
Reed also recorded a live version of the song in 1974, which is featured on his Rock 'n' Roll Animal and Greatest Hits albums.
Two traditional-music influenced versions of the song were included on the soundtrack to the 2012 film Lawless, one by The Bootleggers featuring Mark Lanegan and one by bluegrass legend Ralph Stanley.
Read more about White Light/White Heat (song): David Bowie Cover
Famous quotes containing the words white, light and/or heat:
“The white man’s mullein soon reigned in Indian corn-fields, and sweet-scented English grasses clothed the new soil. Where, then, could the red man set his foot?”
—Henry David Thoreau (1817–1862)
“the light of a whole life dies
When love is gone.”
—Francis William Bourdillon (1852–1921)
“Beware thoughts that come in the night. They aren’t turned properly; they come in askew, free of sense and restriction, deriving from the most remote of sources.”
—William Least Heat Moon [William Trogdon] (b. 1939)