White Light/White Heat (song)
"White Light/White Heat" is a song by American avant-garde rock band The Velvet Underground, the title track on their second album, released in 1968. It is a fast, relentlessly aggressive start to the album, similar to the punk rock genre it would ultimately influence.
The song's vocals are performed primarily by Lou Reed, with John Cale and Sterling Morrison performing backing vocals. The song, much like "I'm Waiting for the Man", features a pounding rock-and-roll Barrelhouse-style piano vamp. The song is about the sensations produced by intravenous injection of methamphetamine and features a heavily distorted electric bass outro played by John Cale over a single chord. This bass solo purportedly mimics the throbbing, ear-ringing effects experienced during the methamphetamine "rush."
"White Light/White Heat" was released in 1968 as a single with the B-side "Here She Comes Now". "White Light/White Heat" was also a staple of the Velvet Underground's live performances from 1967 on. The tune appears on numerous live bootleg albums, and the nearly nine minute version included on the group's posthumous 1969 Live double LP is one of the album's centerpieces.
Reed also recorded a live version of the song in 1974, which is featured on his Rock 'n' Roll Animal and Greatest Hits albums.
Two traditional-music influenced versions of the song were included on the soundtrack to the 2012 film Lawless, one by The Bootleggers featuring Mark Lanegan and one by bluegrass legend Ralph Stanley.
Read more about White Light/White Heat (song): David Bowie Cover
Famous quotes containing the words white, light and/or heat:
““It looks as if
Some pallid thing had squashed its features flat
And its eyes shut with overeagerness
To see what people found so interesting
In one another, and had gone to sleep
Of its own stupid lack of understanding,
Or broken its white neck of mushroom stuff
Short off, and died against the windowpane.””
—Robert Frost (1874–1963)
“Love brings to light the lofty and hidden characteristics of the lover—what is rare and exceptional in him: to that extent it can easily be deceptive with respect to what is normal in him.”
—Friedrich Nietzsche (1844–1900)
“Even if you find yourself in a heated exchange with your toddler, it is better for your child to feel the heat rather than for him to feel you withdraw emotionally.... Active and emotional involvement between parent and child helps the child make the limits a part of himself.”
—Stanley I. Greenspan (20th century)