Music
All stringed instruments featured in this song, both guitars and basses, are tuned in the standard tuning of E A D G B E. The original recording of the song is notable for its interesting instrumentation: Asian instruments such as a gong and sitar feature, along with an overdubbed Warwick twelve-string bass (as mentioned by the bassist Jason Newsted on the Classic Albums: Metallica - Metallica DVD). This instrument was only used for 'effect' during the intro to emphasize several accented notes and that a standardly tuned 4-string bass was used as the main bass instrument throughout the remainder of the recording.
The song is performed frequently during the band's live concerts, and was performed with the San Francisco Symphony Orchestra (conducted by Michael Kamen) on the live S&M and its companion DVD. When performed live, the band has always relied on their original sitar recording for the intro (the band enters on the first accented note to dramatic effect), however for the S&M concerts guitarist Kirk Hammett utilised a Danelectro electric sitar for the intro before switching to his ESP electric guitar. Jason Newsted never reprised his use of the 12-string bass guitar for any live performances of the song.
The music video featured clips from Metallica behind the scenes and in concert, during their Wherever We May Roam Tour.
Read more about this topic: Wherever I May Roam
Famous quotes containing the word music:
“I defied the machinery to make me its slave. Its incessant discords could not drown the music of my thoughts if I would let them fly high enough.”
—Lucy Larcom (1824–1893)
“I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.”
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)
“Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.”
—Vladimir Nabokov (1899–1977)