Music
In 1936 the German composer Karl Amadeus Hartmann used parts of "Lilacs" in an intended Cantata for soprano and orchestra. It ultimately formed the second movement of his designated First Symphony.
Conductor Robert Shaw commissioned another German, Paul Hindemith, during his wartime exile in the United States, to set the text of "Lilacs" to music in his Requiem for those we love (1946). There is also a cantata by Roger Sessions setting this poem, written in 1971. David Conte extracted text from the poem for use in his "Invocation & Dance" (1989). George Crumb composed Apparition in 1979, using the text of "Lilacs", mostly from the "Death Carol" section of the poem. Kurt Weill uses the third stanza in his musical Street Scene. In 1996, George Walker used the poem as the basis for his Pulitzer Prize-winning work Lilacs for voice and orchestra.
Read more about this topic: When Lilacs Last In The Dooryard Bloom'd
Famous quotes containing the word music:
“I defied the machinery to make me its slave. Its incessant discords could not drown the music of my thoughts if I would let them fly high enough.”
—Lucy Larcom (1824–1893)
“If you really believe music is dangerous, you should let it go in one ear and out the other.”
—José Bergamín (1895–1983)
“As for the terms good and bad, they indicate no positive quality in things regarded in themselves, but are merely modes of thinking, or notions which we form from the comparison of things with one another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance music is good for him that is melancholy, bad for him who mourns; for him who is deaf, it is neither good nor bad.”
—Baruch (Benedict)