Syllables in Weak Position
A broader metrical sense of "weak position" can arise in any language, either from a formal poetic meter (such as iambic pentameter or the Latin hendecasyllable) or from the use of parallel structure in prose for rhetorical effect. The prevailing rhythm of the poem or speech leads the listener (or reader) to expect a certain pattern of stressed and unstressed syllables. The consequences of violating that expectation may be illustrated with a line from John Milton's Paradise Lost:
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- Rocks, caves, lakes, fens, bogs, and shades of death
Here rocks, lakes, and bogs are all stressed syllables in weak positions, resulting in a dramatically slow and dolorous line among the surrounding blank verse. (This reading of one of Milton's most famous lines is familiar but not uncontested; see Bridges' analysis of Paradise Lost.) In the linguistics literature, this usage of "weak position" originated in Halle and Keyser (1966).
Read more about this topic: Weak Position (poetry)
Famous quotes containing the words syllables, weak and/or position:
“This is the poem of the air,
Slowly in silent syllables recorded;
This is the secret of despair,
Long in its cloudy bosom hoarded,
Now whispered and revealed
To wood and field.”
—Henry Wadsworth Longfellow (1809–1882)
“Like all weak men he laid an exaggerated stress on not changing one’s mind.”
—W. Somerset Maugham (1874–1966)
“My position is a naturalistic one; I see philosophy not as an a priori propaedeutic or groundwork for science, but as continuous with science. I see philosophy and science as in the same boat—a boat which, to revert to Neurath’s figure as I so often do, we can rebuild only at sea while staying afloat in it. There is no external vantage point, no first philosophy.”
—Willard Van Orman Quine (b. 1908)