Vocal Jazz Ensembles
Throughout most of jazz history, most vocal music was performed by either a soloist or a very small group of singers, usually one to a part. In the mid-1960s, a few brave directors decided to try transcribing Big band charts for voices. This idea was first tried by Hal Malcom at Mt. Hood Community College in 1967 with a group called Genesis. The group hosted the oldest vocal jazz festival in the United States, the Northwest Vocal Jazz Festival. Hal Malcom directed the group for 23 years until passing it to his former student, Dave Barduhn, who directed this group until his retirement in the Spring of 2012.
13 years later, in 1980, Lonnie Cline formed a sister group at Clackamas Community College eventually taking the name Mainstream, which it performs under today. Mainstream was a new type of ensemble, one that moved away from performing the big band arrangements and other jazz standards and began to learn and perform a wide variety of music, including jazz, rock, pop, funk, and fusion. The idea was looked down upon at first but eventually was adopted by many and is now popular in high schools across the country.
A vocal jazz ensemble usually consists of the choir, normally made up of 8-16 singers, and a Rhythm section most often consisting of a pianist, a bassist, a guitarist, and a drummer. Singers either each hold a microphone or sing with area microphones. Vocal jazz ensembles also often sing a cappella.
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Famous quotes containing the words vocal and/or jazz:
“The sound of tireless voices is the price we pay for the right to hear the music of our own opinions. But there is also, it seems to me, a moment at which democracy must prove its capacity to act. Every man has a right to be heard; but no man has the right to strangle democracy with a single set of vocal chords.”
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