Visual arts of Chicago refers to paintings, prints, illustrations, textile art, sculpture, ceramics and other visual artworks produced in Chicago or by people with a connection to Chicago. Since World War II, Chicago visual art has had a strong individualistic streak, little influenced by outside fashions. "One of the unique characteristics of Chicago," said Pennsylvania Academy of Fine Arts curator Bob Cozzolino, "is there's always been a very pronounced effort to not be derivative, to not follow the status quo." The Chicago art world has been described as having "a stubborn sense ... of tolerant pluralism." However, Chicago's art scene is "critically neglected." Critic Andrew Patner has said, "Chicago's commitment to figurative painting, dating back to the post-War period, has often put it at odds with New York critics and dealers." It is argued that Chicago art is rarely found in Chicago museums; some of the most remarkable Chicago artworks are found in other cities (such as the brilliantly warped epic drawings of Henry Darger at the American Folk Art Museum in New York, or Carlos Cortez' magnificent collection of early twentieth-century Chicago "Wobbly" (Industrial Workers of the World) woodcut prints, now in the library at Wayne State University in Indiana.
Read more about Visual Arts Of Chicago: Early Days: Before The War, Interbellum: Chicago Arts Between The World Wars, 1940s, 1950s: Individuality, Realism, Surrealism, 1960s, 1970s, Chicago Artists Internationally, Irreverence, Satire, Self-taught Artists and Outsider Art, Troubles and Controversies
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