Portraying and Employing Villains in Fiction
Tod Slaughter always portrayed villainous characters on both stage and screen in a melodramatic manner, with mustache-twirling, eye-rolling, leering, cackling, and hand-rubbing (however, this often failed to translate well from stage to screen). Brad Warner states that "only cartoon villains cackle with glee while rubbing their hands together and dream of ruling the world in the name of all that is wicked and bad". Ben Bova recommends to authors that their works not contain villains. He states, in his Tips for writers:
"In the real world there are no villains. No one actually sets out to do evil. Fiction mirrors life. Or, more accurately, fiction serves as a lens to focus what we know of life and bring its realities into sharper, clearer understanding for us. There are no villains cackling and rubbing their hands in glee as they contemplate their evil deeds. There are only people with problems, struggling to solve them."
David Lubar adds:
"This is a brilliant observation that has served me well in all my writing. (The bad guy isn't doing bad stuff so he can rub his hands together and snarl.) He may be driven by greed, neuroses, or the conviction that his cause is just, but he's driven by something not unlike the things that drive a hero."
Read more about this topic: Villain
Famous quotes containing the words portraying, employing, villains and/or fiction:
“Primitive peoples tried to annul death by portraying the human body—we do it by finding substitutes for the human body. Technology instead of mysticism!”
—Max Frisch (1911–1991)
“People who wish to numb our caution in dealing with them by means of flattery are employing a dangerous expedient, like a sleeping draught, which, if it does not put us to sleep, keeps us all the more awake.”
—Friedrich Nietzsche (1844–1900)
“I don’t believe in villains or heroes, only in right or wrong ways that individuals are taken, not by choice, but by necessity or by certain still uncomprehended influences in themselves, their circumstances and their antecedents.”
—Tennessee Williams (1914–1983)
“It seems that the fiction writer has a revolting attachment to the poor, for even when he writes about the rich, he is more concerned with what they lack than with what they have.”
—Flannery O’Connor (1925–1964)