Story
The soap's story centered on two best friends: Theo Braganza and Gardo Valiente, whose lives are opposite from one another. Theo was born rich, a playboy and was groomed as an heir to one of the biggest haciendas, Hacienda Braganza. Gardo on the other hand, was born poor, God-fearing and was poised to take over his father Damian as one of Hacienda Braganza's workers. Despite their differences, Gardo and Theo treated each other like brothers until Gardo falls for Theo's youngest sister, Maila. Their relationship was doomed from the start as Theo never liked Maila for Gardo as he preferred Maila's elder sister Leona to fall for his friend. The conflict turned for the worse as an uprising occurred in Hacienda Braganza which caused the death of Gardo's father Damian and scarred Gardo's face after a battle with Theo.
Gardo later on planned his revenge during Theo's wedding with Elaine. However, the bloodshed resulted in both Maila and Leona's death and the Braganza matriarch Donya Trinidad (who was killed before the wedding of Theo and Elaine). Since then, the two men had vowed revenge against one another and fight till the last breath.
In the final episode, Gardo succeeded at the end, while Theo was dead after his last wish.
Read more about this topic: Valiente (1992)
Famous quotes containing the word story:
“One story recounts that a Tennessean, after a single day in the then almost impenetrable tangle of cypress, briars, and canebreaks, pestered by myriads of mosquitoes, and bogged in the heavy gumbo mud, declared: “Arkansas is not part of the world for which Jesus Christ died—I want none of it.””
—Administration in the State of Arka, U.S. public relief program (1935-1943)
“If Mr. Vincent Price were to be co-starred with Miss Bette Davis in a story by Mr. Edgar Allan Poe directed by Mr. Roger Corman, it could not fully express the pent-up violence and depravity of a single day in the life of the average family.”
—Quentin Crisp (b. 1908)
“The liar at any rate recognizes that recreation, not instruction, is the aim of conversation, and is a far more civilised being than the blockhead who loudly expresses his disbelief in a story which is told simply for the amusement of the company.”
—Oscar Wilde (1854–1900)