Cast
| Character | Played by | |
| Ingrid Dahl | Charlotte Fich | Central character, appointed commander of the Rejseholdet unit at the beginning of the first series, holds rank of Detective Chief Inspector. Single mother of Tobias (by former husband) and guardian of Gry, the daughter of her late partner, who dies in the first season. Promoted to a leadership position, she initially struggles to gain the respect of the team and her superior, Ulf Thomson. During the series it is revealed that Ulf had been a close friend of Ingrid's (deceased) father when he forms a friendship with Ingrid's mother. Ingrid comes to suspect that Ulf is her father but he persuades her that this is not the case. |
| Allan Fischer | Mads Mikkelsen | Detective Inspector. The sometimes "problem child" of the unit, Impulsive and emotional, Fischer has been frustrated by a lack of advancement, as he is seen by Ulf and Ingrid as "difficult to manage". Despite his rough edges his persistence, physicality and willingness to bend the rules often produces results and he is thus highly valued as a member of the team. |
| Thomas La Cour | Lars Brygmann | Detective Inspector. The most cerebral member of the unit, La Cour is noteworthy for his highly intuitive investigative approach that often plays a key role in solving an episode's mystery. Most episodes include a sequence where La Cour seems to mystically "channel" the victim and/or perpetrator in order to re-create the crime event. The portrayal of these moments sometimes suggest the supernatural, such as an episode when an off-duty La Cour leads local police directly to the murder scene and thus places himself under suspicion for the crime. |
| Jens Peter "I.P." Jørgensen | Waage Sandø | Detective Inspector. The senior member of the unit, who has been passed over for promotion when Ingrid is appointed commander. Partner to Kirsten. A world-weary but trusted and quietly supportive second-in-command to Ingrid. Has been with the force for 40 years. |
| Ulf Thomsen | Erik Wedersøe | Senior police official, under whom the unit operates. Appointed Ingrid to command position. This promotion seems at least partially the product of political pressure to elevate a female. Ulf frequently challenges Ingrid's decisions but his respect for her is revealed over time. Ulf's affair with Kirsten and promotion of Ingrid has complicated his longstanding relationship with colleague I.P. |
| Gaby Levin | Trine Pallesen | Junior member of the unit. Develops relationship with Johnny Olsen. Gaby is portrayed as the "glue that often holds the unit together" managing unit logistics and she is heavily relied upon by Ingrid and other unit members. |
| Johnny Olsen | Lars Bom | Contract truck owner/operator. Responsible for moving the Rejseholdet mobile office between locations. Partner of Gaby. Former Danish national football (soccer) star, frequently "unofficially" involved in the unit's police work. |
| Jan Boysen | Michael Falch | Forensic pathologist working with the Danish Police. Pursues Ingrid romantically. |
| Tobias | Sebastian Ottensten | Ingrid's teenage son. Tobias's brushes with the law (smoking hashish and joyriding in a stolen car) has been used to illustrate Ingrid's conflicted state as an ambitious career officer and a single mother. |
| Kirsten Jørgensen | Lisbet Lundquist | Actress and I.P.'s partner, but they separate during the first season. A successful stage actress, we learn that she is struggling with issues pertaining to ageing and alcoholism. Develops an affair with Ulf. |
| Gry | Lykke Sand Michelsen | Daughter of Ingrid's late partner. |
Read more about this topic: Unit One
Famous quotes containing the word cast:
“Cassius is aweary of the world:
Hated by one he loves; braved by his brother;
Checked like a bondman; all his faults observed,
Set in a notebook, learned and conned by rote
To cast into my teeth.”
—William Shakespeare (1564–1616)
“What blessings thy free bounty gives
Let me not cast away;
For God is paid when man receives,
To enjoy is to obey.”
—Alexander Pope (1688–1744)
“Sometimes, because of its immediacy, television produces a kind of electronic parable. Berlin, for instance, on the day the Wall was opened. Rostropovich was playing his cello by the Wall that no longer cast a shadow, and a million East Berliners were thronging to the West to shop with an allowance given them by West German banks! At that moment the whole world saw how materialism had lost its awesome historic power and become a shopping list.”
—John Berger (b. 1926)