Forms
In general, there are some common features of uncial script:
- m, n, and u are relatively broad; m is formed with curved strokes (although a straight first stroke may indicate an early script), and n is written as to distinguish it from r and s.
- f, i, p, s, t are relatively narrow.
- e is formed with a curved stroke, and its arm (or hasta) does not connect with the top curve; the height of the arm can also indicate the age of the script (written in a high position, the script is probably early, while an arm written closer to the middle of the curve may indicate a later script).
- l has a small base, not extending to the right to connect with the next letter.
- r has a long, curved shoulder, often connecting with the next letter.
- s resembles (and is the ancestor of) the "long s"; in uncial it looks more like r than f.
In later uncial scripts, the letters are sometimes drawn haphazardly; for example, double-l runs together at the baseline, bows (for example in b, p, r) do not entirely curve in to touch their stems, and the script is generally not written as cleanly as previously.
Read more about this topic: Uncial Script
Famous quotes containing the word forms:
“How superbly brave is the Englishman in the presence of the awfulest forms of danger & death; & how abject in the presence of any & all forms of hereditary rank.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“One way to think about play, is as the process of finding new combinations for known things—combinations that may yield new forms of expression, new inventions, new discoveries, and new solutions....It’s exactly what children’s play seems to be about and explains why so many people have come to think that children’s play is so important a part of childhood—and beyond.”
—Fred Rogers (20th century)
“Painting dissolves the forms at its command, or tends to; it melts them into color. Drawing, on the other hand, goes about resolving forms, giving edge and essence to things. To see shapes clearly, one outlines them—whether on paper or in the mind. Therefore, Michelangelo, a profoundly cultivated man, called drawing the basis of all knowledge whatsoever.”
—Alexander Eliot (b. 1919)