Uncial Script - Forms

Forms

In general, there are some common features of uncial script:

  • m, n, and u are relatively broad; m is formed with curved strokes (although a straight first stroke may indicate an early script), and n is written as to distinguish it from r and s.
  • f, i, p, s, t are relatively narrow.
  • e is formed with a curved stroke, and its arm (or hasta) does not connect with the top curve; the height of the arm can also indicate the age of the script (written in a high position, the script is probably early, while an arm written closer to the middle of the curve may indicate a later script).
  • l has a small base, not extending to the right to connect with the next letter.
  • r has a long, curved shoulder, often connecting with the next letter.
  • s resembles (and is the ancestor of) the "long s"; in uncial it looks more like r than f.

In later uncial scripts, the letters are sometimes drawn haphazardly; for example, double-l runs together at the baseline, bows (for example in b, p, r) do not entirely curve in to touch their stems, and the script is generally not written as cleanly as previously.

Read more about this topic:  Uncial Script

Famous quotes containing the word forms:

    “The highest perfection of politeness is only a beautiful edifice, built, from the base to the dome, of ungraceful and gilded forms of charitable and unselfish lying.”
    —Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    “From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
    —Charles Darwin (1809–1882)

    “One way to think about play, is as the process of finding new combinations for known things—combinations that may yield new forms of expression, new inventions, new discoveries, and new solutions....It’s exactly what children’s play seems to be about and explains why so many people have come to think that children’s play is so important a part of childhood—and beyond.”
    —Fred Rogers (20th century)